1 00:00:29,898 --> 00:00:32,065 [GENTLE MUSIC PLAYING] 2 00:00:36,738 --> 00:00:38,740 [MUSIC FLOURISHES] 3 00:01:09,704 --> 00:01:11,706 [MUSIC INTENSIFIES] 4 00:01:54,983 --> 00:01:56,684 -[THUDS] -EDWARD: Oh! 5 00:01:58,886 --> 00:02:00,120 [GROANS] 6 00:02:01,589 --> 00:02:03,625 Hey. Hey, man, you all right? 7 00:02:03,725 --> 00:02:05,627 You need to lie down or something? 8 00:02:05,727 --> 00:02:10,130 No, this happens from time to time. It'll pass. 9 00:02:11,099 --> 00:02:13,433 Thanks for asking, though. [GROANS] 10 00:02:13,534 --> 00:02:15,335 All right, well just let me know. 11 00:02:15,435 --> 00:02:17,437 -I'll be at my desk. -[EDWARD GROANS] 12 00:02:18,305 --> 00:02:20,775 DIRECTOR: Uh, Mr. Lemuel... 13 00:02:20,875 --> 00:02:22,242 [BELL RINGING] 14 00:02:22,342 --> 00:02:25,780 That was maybe on the slightly intense side. 15 00:02:26,114 --> 00:02:27,247 Yeah, we... 16 00:02:27,347 --> 00:02:31,653 I think we want less of an aneurysm-type attack 17 00:02:31,753 --> 00:02:33,353 and more like, uh... 18 00:02:34,221 --> 00:02:35,923 Woozy. You know? 19 00:02:36,024 --> 00:02:39,326 "Oh, oh." 20 00:02:40,193 --> 00:02:43,931 BOTH: "Oh, oh." 21 00:02:44,032 --> 00:02:46,366 All right? "Oh." 22 00:02:46,466 --> 00:02:48,036 Don't wanna scare people. 23 00:02:48,136 --> 00:02:49,369 EDWARD: Ah. Oh. 24 00:02:49,469 --> 00:02:51,171 Ah. How's that feel? 25 00:02:51,906 --> 00:02:53,808 -Great. -Any notes for me? 26 00:02:53,908 --> 00:02:55,242 DIRECTOR: Nope, you're great. 27 00:02:59,080 --> 00:03:03,283 EDWARD: Oh. Oh. 28 00:03:04,451 --> 00:03:06,821 SEAN: Hey. Hey, man, you all right? 29 00:03:06,921 --> 00:03:07,955 EDWARD: Oh. 30 00:03:08,056 --> 00:03:10,525 [CHATTERING INDISTINCTLY] 31 00:03:10,625 --> 00:03:12,927 You, uh, you been at this long? 32 00:03:13,761 --> 00:03:14,529 A little while, I guess. 33 00:03:14,629 --> 00:03:17,431 Mmm. Just got outta Julliard. 34 00:03:17,532 --> 00:03:21,703 This is my first paying gig. My first gig, really. 35 00:03:22,904 --> 00:03:25,472 Mmm. Interesting experience. 36 00:03:27,108 --> 00:03:29,577 -[MEN LAUGHING] -[WHEELS SQUEALING] 37 00:03:39,187 --> 00:03:41,254 [TRAIN RATTLING] 38 00:03:41,354 --> 00:03:42,757 RAGGED MAN: I know what you're all thinking, 39 00:03:42,857 --> 00:03:45,927 but you're wrong. I only want directions. 40 00:03:46,027 --> 00:03:47,360 Where's this train headed, huh? 41 00:03:47,461 --> 00:03:48,563 Where's the conductor? 42 00:03:48,663 --> 00:03:50,732 Ask him where this train is bound. 43 00:03:50,832 --> 00:03:54,234 Glory? That's not my ultimate destination. 44 00:03:54,334 --> 00:03:58,305 Fort Lee, New Jersey is my ultimate destination. 45 00:03:58,405 --> 00:04:00,041 I don't know about you suckers, 46 00:04:00,141 --> 00:04:02,076 I got a brother-in-law. 47 00:04:02,176 --> 00:04:05,445 This train is hauling the good, the bad, 48 00:04:05,546 --> 00:04:08,015 and especially the ugly mother fuckers! 49 00:04:08,116 --> 00:04:09,449 So who's gonna be the hero? 50 00:04:09,550 --> 00:04:11,586 -You? -I'm a casting director, 51 00:04:11,686 --> 00:04:14,488 specializing in unique and unusual physiognomies. 52 00:04:14,589 --> 00:04:16,124 -Have you ever considered... -RAGGED MAN: Yeah, 53 00:04:16,224 --> 00:04:18,258 they tell me I got star quality. 54 00:04:18,358 --> 00:04:20,494 CASTING DIRECTOR: I believe that. Here... 55 00:04:26,067 --> 00:04:27,267 LANDLORD: Salamunovich says, 56 00:04:27,367 --> 00:04:28,569 "Nah, don't worry about it. It's just a gland." 57 00:04:28,669 --> 00:04:29,604 -Cool, yo... -Hey, hey, 4F, 58 00:04:29,704 --> 00:04:31,304 you keepin' a dog in your apartment? 59 00:04:31,404 --> 00:04:34,175 -No, why? -Must be somebody else. 60 00:04:34,274 --> 00:04:36,443 [MOVERS SPEAKING OTHER LANGUAGE] 61 00:04:38,146 --> 00:04:39,647 OLLIE: Hey. Come on, man. 62 00:04:39,747 --> 00:04:41,816 Watch it, watch it, watch it, watch it. 63 00:04:44,852 --> 00:04:46,754 Hey, hey. No, come here. 64 00:04:46,854 --> 00:04:49,056 Feel this. Feel this. 65 00:04:49,157 --> 00:04:51,058 -[MOVER CHUCKLES] -LANDLORD: Here. 66 00:04:53,326 --> 00:04:54,796 That seem like a lump to you? 67 00:04:54,896 --> 00:04:55,797 A little lumpy. 68 00:04:55,897 --> 00:04:57,598 OLLIE: You know who this guy reminds me of? 69 00:04:57,698 --> 00:05:00,467 Woody Allen, when he was younger and kind of nervous. 70 00:05:00,568 --> 00:05:02,136 Yeah. He's kind of nervous. 71 00:05:02,236 --> 00:05:04,205 OLLIE: Listen, be confident brother. 72 00:05:04,304 --> 00:05:06,306 Take some Brazilian jiu-jitsu, 73 00:05:06,406 --> 00:05:09,076 or that Krav Maga from Israel shit. 74 00:05:09,177 --> 00:05:10,511 Look, hey, little guy. 75 00:05:10,611 --> 00:05:14,982 All unhappiness in life comes from not accepting what is. 76 00:05:15,082 --> 00:05:16,584 Do you know who told me that? 77 00:05:16,684 --> 00:05:17,885 LANDLORD: Your shrink. OLLIE: No, I'm serious. 78 00:05:17,985 --> 00:05:20,621 You know who told me that all unhappiness in life 79 00:05:20,721 --> 00:05:22,557 -comes from, uh... -Jesus Christ. 80 00:05:22,657 --> 00:05:23,958 LANDLORD: From not accepting what is? 81 00:05:24,058 --> 00:05:25,193 OLLIE: Lady Gaga. 82 00:05:25,293 --> 00:05:26,694 I knew that fucking bitch when she was... 83 00:05:26,794 --> 00:05:28,963 [PEOPLE CHATTERING IN OTHER LANGUAGE] 84 00:05:29,063 --> 00:05:31,032 [MUSIC PLAYING OVER SPEAKERS] 85 00:05:42,442 --> 00:05:43,611 -[INGRID GASPS] -Hi. 86 00:05:44,278 --> 00:05:45,478 Um... 87 00:05:46,047 --> 00:05:47,048 You wanna get there? 88 00:05:48,216 --> 00:05:49,382 Excuse me. 89 00:05:51,052 --> 00:05:52,352 Sorry, he's going... 90 00:06:01,028 --> 00:06:03,331 -[LOUD THUDDING] -INGRID: Jesus Christ, guys... 91 00:06:03,430 --> 00:06:05,633 [MOVER SHOUTING IN OTHER LANGUAGE] 92 00:06:11,239 --> 00:06:13,406 [CARS HONKING] 93 00:06:17,211 --> 00:06:19,412 [WATER DRIPPING] 94 00:06:27,221 --> 00:06:28,421 [COUCH THUDS] 95 00:06:32,560 --> 00:06:34,729 [TRUCK BEEPING] 96 00:06:41,702 --> 00:06:43,104 [OBJECTS CLATTERING] 97 00:06:43,204 --> 00:06:45,405 [MUSIC PLAYING ON CAR SPEAKERS] 98 00:07:01,989 --> 00:07:04,158 [WHISTLE INSTRUCTOR WHISTLING OVER SPEAKERS] 99 00:07:04,258 --> 00:07:05,593 [WATER DRIPPING] 100 00:07:06,193 --> 00:07:07,028 [KNIFE TAPPING ON CUTTING BOARD] 101 00:07:07,128 --> 00:07:08,963 INSTRUCTOR: At its most basic level, 102 00:07:09,063 --> 00:07:10,164 whistling is about, 103 00:07:11,198 --> 00:07:12,400 "Put your lips together 104 00:07:12,499 --> 00:07:13,567 -"and blow." -EDWARD: Hmm. 105 00:07:13,668 --> 00:07:14,902 INSTRUCTOR: Right? Everyone knows that. 106 00:07:15,002 --> 00:07:16,771 Every five-year-old knows that. 107 00:07:16,871 --> 00:07:19,307 But, obviously, it's more complicated than that. 108 00:07:19,407 --> 00:07:21,575 As everyone, uh, who's ever tried 109 00:07:21,676 --> 00:07:22,710 to whistle knows, 110 00:07:22,810 --> 00:07:23,978 that if you put your lips together... 111 00:07:24,078 --> 00:07:25,780 -[KNOCKING ON DOOR] -[EDWARD GASPS] 112 00:07:25,880 --> 00:07:27,447 Oh! [GRUNTS] 113 00:07:28,649 --> 00:07:29,850 INSTRUCTOR: All of these muscles, 114 00:07:29,951 --> 00:07:34,487 uh, the sphincter muscles around your lips... 115 00:07:34,588 --> 00:07:38,259 -Hey. Oh, your hand! -Uh... 116 00:07:38,359 --> 00:07:40,127 Um, I just unpacked my first aid kit. 117 00:07:40,227 --> 00:07:41,696 Right back, hold on. 118 00:07:42,296 --> 00:07:44,031 [INSTRUCTOR WHISTLING] 119 00:07:44,131 --> 00:07:45,433 -...has something to do... -[VIDEO STOPS PLAYING] 120 00:07:45,533 --> 00:07:46,734 [DOOR CLOSES] 121 00:07:48,869 --> 00:07:49,971 Got it. 122 00:07:50,071 --> 00:07:53,207 Oh, um, I'll fix that. Don't worry about it. 123 00:07:56,877 --> 00:07:58,746 -Can we sit here? -[DOOR CLOSES] 124 00:07:58,846 --> 00:08:01,182 I'm no doctor. I waive all liability. 125 00:08:01,282 --> 00:08:02,683 Do you consent? 126 00:08:02,783 --> 00:08:04,885 Antibacterial ointment and gauze pads 127 00:08:04,986 --> 00:08:08,122 is the extent of my expertise is overstating it. 128 00:08:08,222 --> 00:08:12,460 Oh. Expired. Recently? 129 00:08:12,560 --> 00:08:13,694 It's probably still good though, right? 130 00:08:13,794 --> 00:08:16,030 -EDWARD: Yeah. -Um... 131 00:08:16,130 --> 00:08:17,431 Mmm, paper towels. 132 00:08:17,531 --> 00:08:19,000 -It's bad for the earth. -EDWARD: Uh... 133 00:08:19,100 --> 00:08:21,936 Let's, uh, examine the wound here. 134 00:08:22,036 --> 00:08:24,005 Oh, shi... 135 00:08:24,105 --> 00:08:25,740 Maybe you need stitches? 136 00:08:25,840 --> 00:08:27,875 -What do you think? -I mean... 137 00:08:27,975 --> 00:08:30,511 -Hmm... -What happened to you? 138 00:08:32,380 --> 00:08:33,948 -It's none of my business. -Hmm. 139 00:08:34,515 --> 00:08:35,683 Okay. 140 00:08:36,484 --> 00:08:37,451 Let's see, ugh. 141 00:08:37,551 --> 00:08:39,286 Those assholes and I just stood there 142 00:08:39,387 --> 00:08:41,222 like a moron. 143 00:08:41,322 --> 00:08:44,191 And I thought, "I've got an enemy in my new building." 144 00:08:44,658 --> 00:08:45,893 This will sting. 145 00:08:48,529 --> 00:08:49,730 Did it not sting? 146 00:08:50,197 --> 00:08:51,232 A little. 147 00:08:51,332 --> 00:08:52,666 Okay, that's, that's good. 148 00:08:52,767 --> 00:08:53,801 It's probably good. 149 00:08:53,901 --> 00:08:57,038 -Hmm. -Brave. This is potent stuff. 150 00:08:57,138 --> 00:08:58,606 [CHUCKLES] 151 00:08:58,706 --> 00:09:01,275 Okay, um, let's just... 152 00:09:02,543 --> 00:09:03,878 Before it... 153 00:09:04,612 --> 00:09:06,247 Is this okay? 154 00:09:06,347 --> 00:09:07,681 -EDWARD: Hmm? -Oh shit. 155 00:09:07,782 --> 00:09:08,783 I got it on the couch. 156 00:09:08,883 --> 00:09:10,384 -Oh. No, it's okay. -I'm so sorry. 157 00:09:10,484 --> 00:09:12,053 Just tell me if it doesn't come out. 158 00:09:12,153 --> 00:09:14,523 [CHUCKLES] Oh. I got it on my thigh. 159 00:09:14,622 --> 00:09:16,557 That's disgusting. [CHUCKLES] 160 00:09:17,425 --> 00:09:19,326 [FIRST AID KIT CLATTERING] 161 00:09:20,327 --> 00:09:21,762 EDWARD: Hmm. [CHUCKLES] 162 00:09:22,696 --> 00:09:23,998 [INGRID CLEARS THROAT] 163 00:09:24,098 --> 00:09:26,834 [WATER DRIPPING] 164 00:09:26,934 --> 00:09:29,637 Oh, you should probably get that checked out. 165 00:09:29,737 --> 00:09:31,705 -Uh... -Your apartment is so lived in. 166 00:09:31,806 --> 00:09:34,308 Yeah. Uh, well, I mean, it, uh, makes sense... 167 00:09:34,408 --> 00:09:35,709 INGRID: Mine's a war zone. 168 00:09:37,611 --> 00:09:40,147 -Are you from here? -EDWARD: Yeah. 169 00:09:42,316 --> 00:09:43,684 Hmm. I'm from Alesund. 170 00:09:43,784 --> 00:09:45,554 -You heard of that? -EDWARD: Mmm. 171 00:09:45,653 --> 00:09:47,488 Sorry, what was your name again? 172 00:09:47,588 --> 00:09:49,390 -Edward. -INGRID: E. Lemuel. 173 00:09:49,490 --> 00:09:51,459 I saw it on the mailbox. 174 00:09:51,560 --> 00:09:52,927 I'm Ingrid. Did I say that? 175 00:09:56,497 --> 00:09:57,665 Is that your mom? 176 00:09:58,599 --> 00:09:59,767 EDWARD: Yeah. 177 00:10:00,535 --> 00:10:01,702 Is that you? 178 00:10:02,571 --> 00:10:03,804 Yes. 179 00:10:08,109 --> 00:10:10,377 -Is she alive? -EDWARD: [CLICKS TONGUE] No. 180 00:10:13,347 --> 00:10:15,783 So, what do you do? 181 00:10:15,883 --> 00:10:18,252 Uh, well, I... I was just cutting some onions... 182 00:10:18,352 --> 00:10:19,854 INGRID: You're a writer. 183 00:10:19,954 --> 00:10:21,822 Oh, I found it on the street. 184 00:10:21,922 --> 00:10:24,892 Really? Looks valuable. 185 00:10:24,992 --> 00:10:27,795 "They taunt me and beg me to show my face, 186 00:10:27,895 --> 00:10:30,097 "only so that when I do, 187 00:10:30,197 --> 00:10:32,666 "they can turn away in horror." 188 00:10:34,034 --> 00:10:35,302 What's that? 189 00:10:35,402 --> 00:10:37,338 I... I was just testing it out. 190 00:10:38,806 --> 00:10:40,040 It's interesting. 191 00:10:41,041 --> 00:10:43,911 Actually, I'm a playwright. 192 00:10:44,678 --> 00:10:45,846 I act. 193 00:10:46,447 --> 00:10:47,748 Amazing. 194 00:10:47,848 --> 00:10:51,385 I'm trying to think if I've, uh, seen you in anything. 195 00:10:52,820 --> 00:10:55,122 Not... Not likely. [CHUCKLES] 196 00:10:55,222 --> 00:10:58,292 Well, maybe we'll ride to glory together. [CHUCKLES] 197 00:10:58,392 --> 00:11:00,928 -Maybe. -[INGRID CHUCKLES] 198 00:11:01,028 --> 00:11:04,298 Oh, uh, do you know who lived in my apartment before me? 199 00:11:04,398 --> 00:11:06,467 -C. Pulaski? -Uh, yeah. 200 00:11:06,568 --> 00:11:08,603 He, uh, came over to, uh, borrow 201 00:11:08,702 --> 00:11:09,770 some laundry detergent. 202 00:11:09,870 --> 00:11:11,939 Uh, old guy. Widower, maybe. 203 00:11:12,039 --> 00:11:13,440 -Did he die? -I didn't... 204 00:11:13,542 --> 00:11:15,176 I didn't know he was, uh, gone. 205 00:11:15,276 --> 00:11:17,912 Actually, this is not why I came over. 206 00:11:18,012 --> 00:11:20,014 But can I borrow some laundry detergent? 207 00:11:20,114 --> 00:11:21,382 [BOTH CHUCKLING] 208 00:11:22,416 --> 00:11:23,784 Oh, yeah. Yeah, sure. 209 00:11:23,884 --> 00:11:25,419 -INGRID: Yeah? -Sure. I... 210 00:11:27,021 --> 00:11:27,988 Um, yeah. 211 00:11:31,292 --> 00:11:33,460 You learning to whistle? 212 00:11:33,562 --> 00:11:36,197 DR. VARNO: All in all, things look relatively stable. 213 00:11:36,297 --> 00:11:37,666 Eventually, we'll have to take a look 214 00:11:37,765 --> 00:11:39,668 at the growth over your left eye. 215 00:11:39,767 --> 00:11:41,835 Your vision is noticeably impacted? 216 00:11:41,936 --> 00:11:43,237 EDWARD: I've adjusted. 217 00:11:43,337 --> 00:11:46,040 This makes it two or so years without surgery. 218 00:11:46,140 --> 00:11:48,776 -Much needed respite. -EDWARD: Yeah. 219 00:11:48,876 --> 00:11:50,878 Let's aim for three years. 220 00:11:50,978 --> 00:11:52,780 But I must be frank that sooner or later, 221 00:11:52,880 --> 00:11:54,949 the eye will become debilitating. 222 00:11:55,749 --> 00:11:57,851 As for the cholesteatoma, 223 00:11:57,952 --> 00:11:59,853 I think we should go in and get that thing out. 224 00:11:59,954 --> 00:12:01,556 But the hearing loss is minimal, 225 00:12:01,656 --> 00:12:04,693 so we can probably sit on it for a bit. 226 00:12:04,792 --> 00:12:06,994 Several other tumors have shown minor enlargement, 227 00:12:07,094 --> 00:12:09,430 but no impingement on any important structures. 228 00:12:09,531 --> 00:12:12,433 So, just some things we have to keep an eye on. 229 00:12:13,767 --> 00:12:15,002 I mention this so that you have an idea 230 00:12:15,102 --> 00:12:17,838 of the road ahead, not that it's news to you. 231 00:12:17,938 --> 00:12:22,677 But an alternative path has presented itself. 232 00:12:22,776 --> 00:12:24,646 A colleague of mine, Eugene Flexner, 233 00:12:24,745 --> 00:12:25,714 rather distinguished, 234 00:12:25,813 --> 00:12:27,881 is on the lookout for patients, 235 00:12:27,982 --> 00:12:29,584 a patient like you, 236 00:12:29,684 --> 00:12:31,986 for an experimental drug trial. 237 00:12:32,086 --> 00:12:34,989 This drug seems to have the potential to be, 238 00:12:35,089 --> 00:12:37,258 words like heal and cure are an anathema 239 00:12:37,358 --> 00:12:40,861 to folks in my profession, but to actually heal you, 240 00:12:41,395 --> 00:12:42,763 completely, even. 241 00:12:42,863 --> 00:12:45,734 The implications are life changing for you. 242 00:12:45,833 --> 00:12:46,900 I shouldn't overpromise anything 243 00:12:47,001 --> 00:12:50,337 because it's the first trial I believe. 244 00:12:50,437 --> 00:12:54,808 Perhaps any potential risk is worth the potential reward? 245 00:12:55,943 --> 00:12:57,778 Something to think about. 246 00:12:59,847 --> 00:13:02,016 -[CONTEMPLATIVE MUSIC PLAYING] -[DOG BARKING] 247 00:13:18,399 --> 00:13:20,100 [WATER DRIPPING] 248 00:13:29,644 --> 00:13:30,944 [EDWARD SIGHS] 249 00:13:36,083 --> 00:13:37,885 Oh, hey, neighbor. 250 00:13:38,886 --> 00:13:41,889 Housewarming, for the door. 251 00:13:42,856 --> 00:13:44,793 Didn't your mother give that to you? 252 00:13:44,892 --> 00:13:46,493 No, I... I found it on the street. 253 00:13:47,662 --> 00:13:50,931 Right. Okay. 254 00:13:53,535 --> 00:13:57,004 I just wanna get rid of it, and you're a play writer. 255 00:13:57,104 --> 00:13:59,106 Yeah, but you could probably get some cash for it. 256 00:13:59,708 --> 00:14:00,742 Write me a part. 257 00:14:00,841 --> 00:14:03,210 [BOTH CHUCKLING] 258 00:14:03,310 --> 00:14:04,244 Yes. Right. 259 00:14:04,345 --> 00:14:07,047 I'll get right on that. No, but thank you. 260 00:14:07,147 --> 00:14:10,217 It's, uh, very heavy, generous. 261 00:14:10,317 --> 00:14:11,720 -Thank you. -[EDWARD CLEARS THROAT] 262 00:14:11,820 --> 00:14:13,287 Hey! 263 00:14:13,387 --> 00:14:15,757 -CARL: Hey, man. -Hello. That's my neighbor. 264 00:14:15,856 --> 00:14:17,191 Come in. Thank you again. 265 00:14:17,291 --> 00:14:18,560 EDWARD: Yep. INGRID: Thank you. 266 00:14:41,616 --> 00:14:42,916 OSTERMEIER: Jesus Christ. 267 00:14:52,359 --> 00:14:55,630 Whom else would I love but the most beautiful woman 268 00:14:55,730 --> 00:14:58,132 in the world? Of course. 269 00:14:58,232 --> 00:15:00,200 The most beautiful of all women. 270 00:15:00,300 --> 00:15:03,337 The most captivating, the most intelligent. 271 00:15:05,072 --> 00:15:07,876 Sometimes in the blue shadows of evening, 272 00:15:07,975 --> 00:15:09,711 I give way to tender feelings. 273 00:15:09,811 --> 00:15:11,078 I go into a garden, 274 00:15:11,178 --> 00:15:12,881 smelling the fragrance of spring 275 00:15:12,980 --> 00:15:15,282 with my poor monstrous nose, 276 00:15:15,382 --> 00:15:19,319 and I watch a man and a woman, 277 00:15:19,420 --> 00:15:21,823 strolling together under the moonlight, 278 00:15:21,922 --> 00:15:26,160 and I think how I too, 279 00:15:27,595 --> 00:15:32,065 would like to be arm in arm with a woman under the moon. 280 00:15:35,202 --> 00:15:37,137 I let myself be carried away. 281 00:15:39,607 --> 00:15:41,074 I forget myself. 282 00:15:44,679 --> 00:15:45,713 And then I... 283 00:15:47,247 --> 00:15:50,417 suddenly see the shadow of my... 284 00:15:51,185 --> 00:15:53,086 profile on the garden wall. 285 00:15:57,090 --> 00:15:58,258 [CLEARS THROAT] 286 00:16:10,805 --> 00:16:12,005 [SIGHS] 287 00:16:26,654 --> 00:16:29,323 NARRATOR: Sad as it is, it will come as no surprise. 288 00:16:29,423 --> 00:16:31,024 Attractive people are the winners 289 00:16:31,124 --> 00:16:32,392 in most areas of life, 290 00:16:32,493 --> 00:16:34,294 and the workplace is no exception. 291 00:16:34,394 --> 00:16:36,330 You're likely to be startled or perturbed 292 00:16:36,430 --> 00:16:38,031 when you see a face like this. 293 00:16:38,131 --> 00:16:39,500 You might stare tactlessly, 294 00:16:39,601 --> 00:16:41,536 or on the contrary, avert your gaze, 295 00:16:41,636 --> 00:16:44,137 even if you're generally a kind person. 296 00:16:44,238 --> 00:16:46,674 These uneasy feelings may diminish or subside 297 00:16:46,774 --> 00:16:47,976 after repeated exposure 298 00:16:48,075 --> 00:16:49,744 to your facially different coworker. 299 00:16:49,844 --> 00:16:52,412 Be gentle with yourself for having these reactions. 300 00:16:52,514 --> 00:16:55,015 We have no control over the fight 301 00:16:55,115 --> 00:16:57,417 or flight responses of the reptilian part 302 00:16:57,519 --> 00:16:58,352 of our brains. 303 00:16:58,452 --> 00:17:00,354 But as developed, empathetic beings, 304 00:17:00,454 --> 00:17:01,956 there are strategies we can adopt 305 00:17:02,055 --> 00:17:03,725 to be more inclusive. 306 00:17:03,825 --> 00:17:04,893 Here, according to the experts, 307 00:17:04,993 --> 00:17:06,260 are some techniques. 308 00:17:06,360 --> 00:17:08,696 Make your disfigured coworker feel included 309 00:17:08,796 --> 00:17:10,163 on your team's project 310 00:17:10,264 --> 00:17:12,399 and make an effort to seek their input. 311 00:17:12,499 --> 00:17:14,736 Luther, do you have any feedback for Sally? 312 00:17:14,836 --> 00:17:17,237 Sounds like an ace idea to me. 313 00:17:18,238 --> 00:17:19,807 When appropriate, invite them 314 00:17:19,908 --> 00:17:21,009 to social functions. 315 00:17:21,108 --> 00:17:23,645 So, Morris, it's my birthday this weekend. 316 00:17:23,745 --> 00:17:25,245 Oh, really? How old are you? 317 00:17:25,345 --> 00:17:27,381 It's a big one, let's leave it at that. 318 00:17:27,481 --> 00:17:29,116 -MORRIS: Mmm. -But I'm, uh, having 319 00:17:29,216 --> 00:17:30,985 some people at my place, 320 00:17:31,084 --> 00:17:32,954 and I was thinking you should come. 321 00:17:33,086 --> 00:17:34,187 Sally will be there. 322 00:17:34,288 --> 00:17:36,824 [CHUCKLES] Ace. Thank you for thinking of me. 323 00:17:36,925 --> 00:17:38,492 It really means a lot. 324 00:17:38,593 --> 00:17:39,861 And you're welcome to bring someone 325 00:17:39,961 --> 00:17:41,763 if there's a girl or... 326 00:17:41,863 --> 00:17:43,196 Uh, thank you. 327 00:17:43,932 --> 00:17:45,733 Happy birthday. 328 00:17:45,833 --> 00:17:47,401 NARRATOR: Ask how they're doing occasionally, 329 00:17:47,502 --> 00:17:50,004 as you would ask anyone else. 330 00:17:50,103 --> 00:17:51,706 If they appear to be in distress, 331 00:17:51,806 --> 00:17:53,608 gently inquire if they need your help... 332 00:17:53,708 --> 00:17:54,876 -[EDWARD MOANING] -NARRATOR: ...without assuming 333 00:17:54,976 --> 00:17:56,410 their dependence on you. 334 00:17:56,511 --> 00:17:58,546 Hey. Hey, man, you all right? 335 00:17:58,646 --> 00:18:00,447 You need to lie down or something? 336 00:18:00,548 --> 00:18:03,317 [CLICKS TONGUE] No, this... This happens 337 00:18:03,417 --> 00:18:06,286 from time to time. It'll pass. 338 00:18:07,387 --> 00:18:09,023 Thanks for asking though. 339 00:18:09,122 --> 00:18:10,959 All right, well, just let me know. 340 00:18:11,059 --> 00:18:12,225 I'll be at my desk. 341 00:18:13,126 --> 00:18:14,696 Hey, have you seen Sally anywhere? 342 00:18:15,495 --> 00:18:16,463 No. 343 00:18:21,201 --> 00:18:22,503 That's, uh, basically it. 344 00:18:22,604 --> 00:18:25,506 -Mmm. Is there more of you? -No. 345 00:18:25,607 --> 00:18:27,207 [NARRATOR SPEAKING INDISTINCTLY OVER TV] 346 00:18:27,307 --> 00:18:29,744 Well, is it... What is it? Is it some... 347 00:18:29,844 --> 00:18:31,779 Like they show it in offices? 348 00:18:31,879 --> 00:18:32,981 I think something like that. 349 00:18:33,081 --> 00:18:34,582 Yeah. 350 00:18:34,682 --> 00:18:36,784 Well, it seems like an important tool. 351 00:18:38,285 --> 00:18:40,655 And, uh, no, you made an impression. 352 00:18:40,755 --> 00:18:42,056 -Yeah. -Yeah. [CHUCKLES] 353 00:18:42,155 --> 00:18:43,691 We all gotta start somewhere. 354 00:18:45,392 --> 00:18:49,063 Yeah. Oh, you have this blackhead on your nose. 355 00:18:49,162 --> 00:18:50,330 Oh, I... 356 00:18:50,430 --> 00:18:51,666 -Can I get at it? -EDWARD: Uh... 357 00:18:53,133 --> 00:18:55,503 [CHUCKLES] It's... I can get it. 358 00:18:56,704 --> 00:18:57,672 Can I? 359 00:18:58,405 --> 00:19:00,875 Oh, okay. [CHUCKLES] 360 00:19:00,975 --> 00:19:03,143 It's... No. I don't have to. 361 00:19:03,243 --> 00:19:04,612 No, it's... It's fine. 362 00:19:04,712 --> 00:19:06,446 It's, uh, you have very oily skin. 363 00:19:06,547 --> 00:19:07,782 I have a good cream for that. 364 00:19:08,616 --> 00:19:10,518 -Okay. -Hmm. I'd love to try it. 365 00:19:10,618 --> 00:19:12,419 -Yeah? -Sure. 366 00:19:13,286 --> 00:19:15,489 -[INGRID CHUCKLES] -[EDWARD LAUGHS] 367 00:19:17,759 --> 00:19:19,927 [NARRATOR SPEAKING INDISTINCTLY OVER TV] 368 00:19:23,798 --> 00:19:27,835 So, no more of you in this? [CLEARS THROAT] 369 00:19:28,268 --> 00:19:30,270 -No. -Ah, nope? Okay. 370 00:19:30,370 --> 00:19:31,572 -Um... -[INGRID CLEARS THROAT] 371 00:19:32,339 --> 00:19:35,308 I think, uh, I'm gonna... 372 00:19:35,409 --> 00:19:37,344 -EDWARD: Hey, I... I'm sorry. -No, don't be sorry. 373 00:19:37,444 --> 00:19:40,414 I... I forgot I have this thing, and, uh... 374 00:19:40,515 --> 00:19:42,416 I'll talk to you later. See you soon. 375 00:19:45,485 --> 00:19:48,156 [SOMBER MUSIC PLAYING] 376 00:19:48,255 --> 00:19:49,289 NARRATOR OVER SPEAKERS: Psychologists have begun 377 00:19:49,389 --> 00:19:51,626 to uncover where disgust comes from... 378 00:19:51,726 --> 00:19:52,560 [EDWARD SIGHS] 379 00:19:52,660 --> 00:19:53,594 NARRATOR: ...some researchers believing 380 00:19:53,695 --> 00:19:55,797 the emotion is similar to fear. 381 00:19:55,897 --> 00:19:58,265 "Fear evolved to keep you away from large animals 382 00:19:58,365 --> 00:20:00,333 "that want to eat you from the outside," 383 00:20:00,434 --> 00:20:03,004 says Valerie Curtis, a behavioral scientist 384 00:20:03,104 --> 00:20:05,807 at the London School of Hygiene and Tropical Medicine. 385 00:20:05,907 --> 00:20:07,207 [EDWARD SIGHS] 386 00:20:07,307 --> 00:20:09,476 [UPSETTING MUSIC PLAYING] 387 00:20:14,015 --> 00:20:15,315 DR. FLEXNER: Okay, and then... 388 00:20:15,415 --> 00:20:17,085 -[KEYBOARD CLACKS] -DR. FLEXNER: Ta-da! 389 00:20:17,185 --> 00:20:18,986 Okay. All right. It's just a file photo, 390 00:20:19,087 --> 00:20:21,221 but I believe we all get the idea. 391 00:20:22,156 --> 00:20:24,391 Uh, all right, let's move on, Dr. Trutz. 392 00:20:25,459 --> 00:20:27,161 All right, as you may know, 393 00:20:27,260 --> 00:20:29,030 this drug was originally developed 394 00:20:29,130 --> 00:20:30,765 as a treatment for androgenic alopecia. 395 00:20:30,865 --> 00:20:33,034 It's an area which has shown significant promise. 396 00:20:33,134 --> 00:20:34,936 Uh, it's in phase three trials? 397 00:20:35,803 --> 00:20:37,505 Uh, but, what we're attempting here, 398 00:20:37,605 --> 00:20:40,074 though, of course, for a far more niche market, 399 00:20:40,174 --> 00:20:42,309 is a different beast altogether. 400 00:20:42,409 --> 00:20:44,545 At the dose that we propose to administer, 401 00:20:44,645 --> 00:20:47,481 physical modification of hard and soft tissue, 402 00:20:47,582 --> 00:20:49,884 both reductive and augmentative, 403 00:20:49,984 --> 00:20:50,918 was observed without the need 404 00:20:51,018 --> 00:20:53,320 for manual shaving or grafting. 405 00:20:53,420 --> 00:20:56,456 There is the potential to restore form and function 406 00:20:56,557 --> 00:20:58,391 to bodies containing a variety of defects, 407 00:20:58,492 --> 00:20:59,493 which is paramount 408 00:20:59,594 --> 00:21:01,461 to a patient's physical appearance, 409 00:21:01,562 --> 00:21:03,330 while reducing the overall cost 410 00:21:03,430 --> 00:21:05,933 with only a moderate level of morbidity. 411 00:21:06,033 --> 00:21:08,136 There was a non-zero number 412 00:21:08,236 --> 00:21:11,438 of wound dehiscence and vessel damage... 413 00:21:11,539 --> 00:21:13,541 -[MACHINE BEEPING] -[DRAMATIC MUSIC PLAYING] 414 00:21:16,544 --> 00:21:18,713 [INSTRUMENT TRILLING] 415 00:21:34,028 --> 00:21:35,797 [MACHINE WHIRRING] 416 00:21:36,764 --> 00:21:38,733 [BEEPING] 417 00:21:39,867 --> 00:21:41,869 [THUMPING] 418 00:21:43,436 --> 00:21:45,405 [TUBES GURGLING] 419 00:21:55,315 --> 00:21:57,518 [INSTRUMENT WHIRRING] 420 00:22:03,423 --> 00:22:07,061 We'll use this one to measure the progress, 421 00:22:07,161 --> 00:22:10,198 and we'll feed any inconsistencies 422 00:22:10,298 --> 00:22:13,500 back into the machine. 423 00:22:13,601 --> 00:22:16,938 Wow. What a world! [CHUCKLES] 424 00:22:19,339 --> 00:22:21,509 Log book. 425 00:22:21,609 --> 00:22:24,444 Next to each potential side effect, mark the number. 426 00:22:24,545 --> 00:22:27,380 Zero meaning non-existent, one meaning mild, 427 00:22:27,480 --> 00:22:29,617 ten meaning... [CHUCKLES] 428 00:22:29,717 --> 00:22:33,486 These are going to help protect your kidneys. 429 00:22:33,588 --> 00:22:36,524 Take them every four hours on the dot. 430 00:22:36,624 --> 00:22:38,226 These could be placebos? 431 00:22:38,326 --> 00:22:39,459 These ones, no. 432 00:22:39,560 --> 00:22:42,362 Everybody gets these to protect the kidneys. 433 00:22:42,462 --> 00:22:44,131 The placebo arms are for the Turpidol 434 00:22:44,232 --> 00:22:45,967 and the Ochiprosoponib medication. 435 00:22:46,067 --> 00:22:47,068 So theoretically, yes, 436 00:22:47,168 --> 00:22:48,435 with those you won't know for sure, 437 00:22:48,536 --> 00:22:50,504 but I'd just put that idea out of your head. 438 00:22:50,605 --> 00:22:52,940 Now, let's get that bandage changed. 439 00:22:53,774 --> 00:22:54,675 Dr. Trutz. 440 00:22:54,775 --> 00:22:57,845 Dr. Trutz! Dressing change. 441 00:23:02,083 --> 00:23:03,050 This one's... 442 00:23:03,918 --> 00:23:05,052 See you tomorrow. 443 00:23:13,728 --> 00:23:15,930 [UNSETTLING MUSIC PLAYING] 444 00:23:33,981 --> 00:23:36,517 -[PEOPLE CHATTERING INDISTINCTLY] -[WOMAN LAUGHS] 445 00:23:36,617 --> 00:23:38,619 And it paid really badly, so... 446 00:23:40,621 --> 00:23:42,455 -It wasn't the move. -Wasn't the move. 447 00:23:42,556 --> 00:23:43,891 Wasn't the move. 448 00:23:44,258 --> 00:23:46,060 Um, I remember... 449 00:23:46,160 --> 00:23:47,728 I remember going to some great record stores. 450 00:23:51,165 --> 00:23:53,134 [SOMBER MUSIC PLAYING] 451 00:24:48,823 --> 00:24:50,992 [LATIN DANCE MUSIC PLAYING] 452 00:25:26,460 --> 00:25:27,661 MAN ON TV: It drives me crazy. 453 00:25:27,762 --> 00:25:28,929 And you know what I think about money I make? 454 00:25:29,030 --> 00:25:30,164 I'll tell you what I think about money. 455 00:25:30,264 --> 00:25:32,533 See this? This is what I think about money. 456 00:25:32,633 --> 00:25:34,902 This, all right? So go ahead then. 457 00:25:35,002 --> 00:25:36,704 You ready? Throw it up in my face. 458 00:25:36,804 --> 00:25:37,972 Come on, do what you say. 459 00:25:38,072 --> 00:25:39,273 Say it! Say it! 460 00:25:39,373 --> 00:25:40,775 Say how you pay the bills. 461 00:25:40,875 --> 00:25:42,410 How you're spending your money. 462 00:25:42,511 --> 00:25:43,944 How you picked up the rent last month. 463 00:25:44,045 --> 00:25:45,646 Huh? What do you want me to do, get on my knees? 464 00:25:45,746 --> 00:25:47,348 You want me to kiss your feet? 465 00:25:47,448 --> 00:25:48,783 Well, forget it, man. 466 00:25:48,883 --> 00:25:50,384 Because this place has been here long 467 00:25:50,484 --> 00:25:51,652 before you got me up in here, 468 00:25:51,752 --> 00:25:52,820 and it'll be here long after you leave. 469 00:25:52,920 --> 00:25:54,588 All right? So don't tell me about money. 470 00:25:54,688 --> 00:25:55,689 And don't tell me about pain, 471 00:25:55,790 --> 00:25:56,757 and don't tell me when you think 472 00:25:56,857 --> 00:25:58,059 it could've been finished. 473 00:25:58,159 --> 00:26:00,661 All right? I'll tell you when it gets finished. 474 00:26:00,761 --> 00:26:02,063 In fact, you'll be the first to know. 475 00:26:02,163 --> 00:26:03,631 I'll come and tell you, man. I'll come over... 476 00:26:03,731 --> 00:26:05,266 [EDWARD GRUNTS] 477 00:26:06,167 --> 00:26:07,101 [COUGHS] 478 00:26:07,201 --> 00:26:09,170 MAN: I'll whisper it. Right in your ear, man. 479 00:26:09,270 --> 00:26:10,438 I'll say, "It's done!" 480 00:26:10,539 --> 00:26:13,174 [DRAMATIC MUSIC PLAYING OVER TV SPEAKERS] 481 00:26:13,274 --> 00:26:14,543 WOMAN 1 ON TV: Ah, come on. 482 00:26:14,642 --> 00:26:16,444 I don't wanna spend another night 483 00:26:16,545 --> 00:26:19,880 just sitting around, looking at the TV. 484 00:26:19,980 --> 00:26:22,149 WOMAN 2 ON TV: We have to. We have no money. 485 00:26:22,249 --> 00:26:25,653 WOMAN 1: But I thought you got your al... 486 00:26:25,753 --> 00:26:29,223 -Ali, Ale, Al... -WOMAN 2: Alimony. 487 00:26:29,323 --> 00:26:31,859 WOMAN 1: Alimony check today. 488 00:26:31,959 --> 00:26:33,461 WOMAN 2: I did, but I had to pay rent. 489 00:26:33,562 --> 00:26:36,130 -[FOOTSTEPS THUDDING] -[LOUD THUD] 490 00:26:36,230 --> 00:26:37,566 [BULB CRACKLES AND CLINKS] 491 00:26:37,665 --> 00:26:38,833 [WATER DRIPPING] 492 00:26:38,933 --> 00:26:41,235 WOMAN 1: We don't have any drugs? 493 00:26:41,335 --> 00:26:43,037 -We don't have any money? -[CEILING CRACKS] 494 00:26:43,137 --> 00:26:45,172 -[OBJECT SPLASHES] -WOMAN 1: We don't have any... 495 00:26:46,508 --> 00:26:48,843 I can't take it anymore! 496 00:26:48,943 --> 00:26:50,945 WOMAN 2: Why don't you call up one of your friends 497 00:26:51,045 --> 00:26:52,046 and go out? 498 00:26:54,081 --> 00:26:56,984 WOMAN 1: Because I don't have any friends. 499 00:27:02,056 --> 00:27:03,958 -[KNOCKING ON DOOR] -[EDWARD GASPS] 500 00:27:04,692 --> 00:27:07,194 -MAN: Open the door! -[KNOCKING CONTINUES] 501 00:27:08,629 --> 00:27:10,197 [LOUD BANGING ON DOOR] 502 00:27:12,199 --> 00:27:14,201 [BANGING CONTINUES] 503 00:27:15,936 --> 00:27:18,839 No, no. This way. 4B! 4B! 504 00:27:18,939 --> 00:27:20,407 OFFICER: Come on. Let's move. Go, go, go. 505 00:27:23,944 --> 00:27:25,212 EMT 1: Snip the thing. EMT 2: [GRUNTS] Yeah. 506 00:27:25,312 --> 00:27:26,347 EMT 1: Cut it. 507 00:27:28,682 --> 00:27:29,950 -You got him? -EMT 2: Yeah. 508 00:27:30,918 --> 00:27:32,587 EMT 1: Careful, don't drop him. 509 00:27:32,686 --> 00:27:34,088 -[CUTTER CLANKS] -[EMT 2 GRUNTS] 510 00:27:34,188 --> 00:27:35,956 WOMAN: Oh! 511 00:27:36,056 --> 00:27:37,024 EMT 2: I got him. I got him. 512 00:27:37,124 --> 00:27:38,292 EMT 1: Good? EMT 2: [GRUNTS] Yep. 513 00:27:38,392 --> 00:27:40,261 I'm... I'm good. 514 00:27:40,361 --> 00:27:41,495 EMT 1: Yeah, I'm tired man. 515 00:27:41,596 --> 00:27:42,863 [ROCK MUSIC PLAYING ON SPEAKERS] 516 00:27:42,963 --> 00:27:44,566 [PEOPLE SPEAKING INDISTINCTLY] 517 00:27:44,665 --> 00:27:46,767 [CAT PURRING] 518 00:27:46,867 --> 00:27:49,069 -[SIRENS BLARING] -[PURRING CONTINUES] 519 00:27:54,275 --> 00:27:57,878 EMT 3: Okay, set it down. Goodnight, sweet prince. 520 00:27:57,978 --> 00:27:59,246 EMT 4: Think this guy was a poet? 521 00:27:59,346 --> 00:28:00,915 [ICE CREAM TRUCK PLAYING MUSIC OVER SPEAKERS] 522 00:28:01,015 --> 00:28:02,683 EMT 3: What were you doing, man? 523 00:28:03,117 --> 00:28:04,519 EMT 5: What? 524 00:28:04,619 --> 00:28:05,853 WOMAN OVER SPEAKERS: Hello? 525 00:28:06,954 --> 00:28:10,291 EMT 5: Hey, go around. You gotta go around. 526 00:28:10,391 --> 00:28:11,158 Let's go! 527 00:28:11,258 --> 00:28:12,726 [ICE CREAM VENDOR SHOUTS INDISTINCTLY] 528 00:28:12,826 --> 00:28:15,396 [EMTS SPEAKING INDISTINCTLY] 529 00:28:15,496 --> 00:28:17,431 ICE CREAM VENDOR: Learn to park, motherfuckers. 530 00:28:17,532 --> 00:28:18,832 [SHOUTING IN SPANISH] 531 00:28:21,202 --> 00:28:22,403 ICE CREAM VENDOR: Hey, where were you 532 00:28:22,504 --> 00:28:23,605 when my mother had a stroke. 533 00:28:23,704 --> 00:28:25,339 EMT 3: Hey, come on, guy! 534 00:28:25,439 --> 00:28:27,542 Go away. You gotta go back. 535 00:28:27,642 --> 00:28:29,810 [ICE CREAM TRUCK CONTINUES PLAYING MUSIC] 536 00:28:31,445 --> 00:28:34,583 His name was Ostermeier, according to his mailbox. 537 00:28:35,216 --> 00:28:37,952 -Yeah, Ostermeier. -You knew him? 538 00:28:38,553 --> 00:28:39,720 No. 539 00:28:41,855 --> 00:28:43,257 Would you kill yourself? 540 00:28:46,427 --> 00:28:47,828 I don't know, maybe. 541 00:28:48,597 --> 00:28:49,830 Depends on the circumstances. 542 00:28:49,930 --> 00:28:52,466 Don't say "maybe". Say "no". 543 00:28:54,501 --> 00:28:56,470 -Would you? -What a question! 544 00:28:57,639 --> 00:28:59,206 I know I asked it first. 545 00:29:00,207 --> 00:29:02,276 Hey, what happened to your bandage? 546 00:29:02,376 --> 00:29:03,645 Oh, yeah, it healed. 547 00:29:04,345 --> 00:29:07,248 It's a miracle. I'm like St. Francis. 548 00:29:07,348 --> 00:29:08,617 Guess I chose the wrong profession, 549 00:29:08,717 --> 00:29:10,284 and now I'm gonna slash you, 550 00:29:10,384 --> 00:29:12,052 -get some more practice. -[BOTH CHUCKLING] 551 00:29:12,654 --> 00:29:15,055 Sorry. Nervous Nelly. 552 00:29:17,391 --> 00:29:18,826 [BOTH LAUGHING] 553 00:29:18,926 --> 00:29:19,860 I'm not scared. 554 00:29:19,960 --> 00:29:22,963 Um, what are your plays about? 555 00:29:23,063 --> 00:29:25,499 No, don't ask. I'd rather talk about suicide. 556 00:29:26,601 --> 00:29:27,868 -Sorry. -No, it's just... 557 00:29:27,968 --> 00:29:29,571 It's embarrassing talking about... 558 00:29:29,671 --> 00:29:30,904 Especially when it's still in progress. 559 00:29:31,005 --> 00:29:32,741 You know, I call myself a writer, 560 00:29:32,840 --> 00:29:36,277 but it's... It's sort of aspirational. 561 00:29:36,377 --> 00:29:37,811 No, I do write. It's... 562 00:29:37,911 --> 00:29:39,013 I've written a few translations 563 00:29:39,113 --> 00:29:40,715 by this Italian, though, you wouldn't know him, 564 00:29:40,814 --> 00:29:42,816 he's a nobody. I won an award for it. 565 00:29:42,916 --> 00:29:45,219 -Small, but, yeah. -Hmm. 566 00:29:45,319 --> 00:29:47,955 I'm trying to write my first original play, 567 00:29:48,690 --> 00:29:51,191 but I'm still figuring it out. 568 00:29:51,292 --> 00:29:52,826 You probably want your typewriter back. 569 00:29:52,926 --> 00:29:53,861 [CHUCKLES] 570 00:29:53,961 --> 00:29:56,598 Oh, throw it out for all I give a shit. 571 00:29:56,698 --> 00:29:58,232 I wouldn't throw it out. 572 00:29:58,332 --> 00:30:01,168 At the very least, it makes me looks like a writer. 573 00:30:01,268 --> 00:30:03,538 At the very least, it makes me look like a writer. 574 00:30:03,638 --> 00:30:04,739 [EDWARD CHUCKLES] 575 00:30:04,838 --> 00:30:08,175 -Its presence mocks me. -Inspires you. 576 00:30:10,144 --> 00:30:11,780 That's the most positive thing I've heard you say. 577 00:30:11,879 --> 00:30:13,113 [EDWARD CHUCKLES] 578 00:30:14,582 --> 00:30:16,016 What are your favorite plays? 579 00:30:16,917 --> 00:30:19,053 Um, I don't know. 580 00:30:19,153 --> 00:30:21,488 The one about the, um, selling... 581 00:30:21,589 --> 00:30:24,526 The... The seller, salesman. 582 00:30:25,794 --> 00:30:27,061 Oh. Mmm-hmm. 583 00:30:27,629 --> 00:30:28,862 -Um... -Yeah. 584 00:30:30,030 --> 00:30:33,100 I saw a pretty good one on TV about the Nazis. 585 00:30:33,200 --> 00:30:36,771 -Which one's that? -I don't remember the name, 586 00:30:36,870 --> 00:30:39,106 but it had singing and dancing and Nazis. 587 00:30:39,206 --> 00:30:40,575 The Nazis were singing and dancing? 588 00:30:40,675 --> 00:30:42,176 No, the, um... 589 00:30:43,611 --> 00:30:45,312 -The other... -Jews. 590 00:30:46,313 --> 00:30:47,081 I guess so. 591 00:30:47,181 --> 00:30:48,583 The Jews were singing and dancing? 592 00:30:50,050 --> 00:30:50,984 Yeah, I guess so. 593 00:30:51,085 --> 00:30:53,220 Sounds like a weird dream you had. 594 00:30:53,320 --> 00:30:54,522 [BOTH CHUCKLE] 595 00:30:54,622 --> 00:30:56,190 Probably I'm misremembering. 596 00:30:58,593 --> 00:30:59,661 [TAPPING] 597 00:30:59,993 --> 00:31:01,195 Who's that? 598 00:31:03,698 --> 00:31:04,998 I don't... I don't know. 599 00:31:05,099 --> 00:31:06,500 Why is he waving at you? 600 00:31:08,570 --> 00:31:10,270 I... I have no idea. 601 00:31:12,072 --> 00:31:13,775 What did he want? 602 00:31:13,874 --> 00:31:15,242 Why'd he think he knew you? 603 00:31:17,277 --> 00:31:20,548 [SIGHS] Sometimes these things happen to me. 604 00:31:21,415 --> 00:31:22,416 They do? 605 00:31:22,983 --> 00:31:24,284 [EDWARD SLURPS] 606 00:31:26,086 --> 00:31:28,088 Well, I'd like to come see the... 607 00:31:28,188 --> 00:31:30,190 -Your play when... -You're not gonna see it, 608 00:31:30,290 --> 00:31:31,826 you're gonna be in it, right? 609 00:31:31,925 --> 00:31:32,993 [EDWARD CHUCKLES] 610 00:31:33,093 --> 00:31:35,229 -[RAIN PATTERING ON WINDOWS] -[WATER DRIPPING] 611 00:31:37,030 --> 00:31:38,666 [THUNDER CLAPS] 612 00:32:03,056 --> 00:32:05,259 [CEILING CREAKING] 613 00:32:07,361 --> 00:32:09,263 -[CRASHING] -[EDWARD GRUNTS] 614 00:32:10,998 --> 00:32:12,466 [WATER RUNNING] 615 00:32:12,567 --> 00:32:13,568 [EDWARD GRUNTS] 616 00:32:14,869 --> 00:32:16,136 Ah! 617 00:32:17,438 --> 00:32:18,573 [GROANS] 618 00:32:20,107 --> 00:32:22,276 [THUNDER RUMBLING] 619 00:32:33,086 --> 00:32:34,288 EDWARD: Argh! 620 00:32:39,661 --> 00:32:40,728 [GROANS] 621 00:32:44,298 --> 00:32:45,700 [SIGHS] 622 00:32:47,936 --> 00:32:49,236 [GROANING] 623 00:32:58,813 --> 00:33:00,949 [GASPS] Argh! 624 00:33:01,048 --> 00:33:02,449 [CHUCKLES] It's incredible. 625 00:33:03,383 --> 00:33:04,351 [CHUCKLES] 626 00:33:04,451 --> 00:33:07,387 I guess this means I'm not in the control group? 627 00:33:07,488 --> 00:33:10,224 I can't disclose that information, officially. 628 00:33:10,324 --> 00:33:13,026 This could be something called the placebo effect. 629 00:33:13,126 --> 00:33:14,495 EDWARD: I have to admit, 630 00:33:14,596 --> 00:33:16,497 I'm... I'm starting to feel a little... 631 00:33:17,899 --> 00:33:19,534 frightened, and, uh... 632 00:33:20,869 --> 00:33:22,002 Is this safe? 633 00:33:22,102 --> 00:33:27,374 I mean, uh, my face is falling off in clumps. 634 00:33:27,474 --> 00:33:28,843 DR. FLEXNER: [CHUCKLES] I'm sure it only looks 635 00:33:28,943 --> 00:33:31,513 -like clumps to you. -Big gobs. 636 00:33:31,613 --> 00:33:34,214 Skin particles cleaving at the fascial planes. 637 00:33:34,314 --> 00:33:36,216 Look, you are healing, Mr. Lemuel. 638 00:33:36,316 --> 00:33:38,853 You're a part of medical history. 639 00:33:38,953 --> 00:33:41,823 You might even be the subject of a documentary one day. 640 00:33:41,923 --> 00:33:43,423 If I'm not in the control group. 641 00:33:43,525 --> 00:33:44,626 DR. FLEXNER: Oh, and if at all possible, 642 00:33:44,726 --> 00:33:46,493 I'd like you to take photographs of your face, 643 00:33:46,594 --> 00:33:47,829 say ten a day, 644 00:33:47,929 --> 00:33:48,997 just to monitor the rate of change, 645 00:33:49,096 --> 00:33:51,799 which appears to be very rapid. 646 00:33:53,333 --> 00:33:56,538 Perhaps the risk is worth the reward. 647 00:33:56,638 --> 00:33:57,739 Something to think about. 648 00:34:06,480 --> 00:34:07,481 Ta-da! 649 00:34:14,923 --> 00:34:16,524 What do I do with it? 650 00:34:16,624 --> 00:34:20,327 Keep it, uh, as a souvenir, a reminder. 651 00:34:20,929 --> 00:34:22,162 EDWARD: Of what? 652 00:34:23,565 --> 00:34:25,533 [ALARM BLARING] 653 00:34:28,903 --> 00:34:31,071 [DRAMATIC MUSIC PLAYING] 654 00:34:36,978 --> 00:34:38,278 [CAR HONKING HORN] 655 00:34:38,378 --> 00:34:41,649 Do you hear that? That alarm. 656 00:34:42,850 --> 00:34:44,084 You're an actor, right? 657 00:34:44,184 --> 00:34:45,520 A movie actor. 658 00:34:46,186 --> 00:34:47,956 I've seen you around. 659 00:34:48,056 --> 00:34:50,223 You gotta be careful out there, man. 660 00:34:52,159 --> 00:34:53,528 [EDWARD GROANS] 661 00:34:56,096 --> 00:34:58,298 [COUGHING] 662 00:35:00,935 --> 00:35:02,904 [BUS BRAKES SQUEALING] 663 00:35:03,004 --> 00:35:05,172 [ALARM WAILING] 664 00:35:09,109 --> 00:35:10,912 [EDWARD RETCHING] 665 00:35:11,012 --> 00:35:12,513 -[DOOR SLAMS] -[EDWARD COUGHING] 666 00:35:17,986 --> 00:35:20,555 [BREATHING HEAVILY] 667 00:35:20,655 --> 00:35:22,824 ["TURN AROUND" BY CARL PERKINS PLAYING ON SPEAKERS] 668 00:35:22,924 --> 00:35:25,560 [WOMAN LAUGHING] 669 00:35:25,660 --> 00:35:27,862 BARTENDER: Crapper's for customers only, buddy. 670 00:35:29,296 --> 00:35:30,598 So what's it gonna be? 671 00:35:34,102 --> 00:35:36,203 Something potent by the looks of it. 672 00:35:42,710 --> 00:35:43,678 [BOTTLE CLINKS] 673 00:35:44,979 --> 00:35:46,547 Up? Or rocks? 674 00:35:50,752 --> 00:35:53,821 Let's not dilute its medicinal value, huh? 675 00:35:58,893 --> 00:36:00,895 [SIRENS WAILING] 676 00:36:09,037 --> 00:36:10,237 Hey, man. 677 00:36:11,271 --> 00:36:12,840 I know you. 678 00:36:15,208 --> 00:36:16,711 Where do I know you from? 679 00:36:17,277 --> 00:36:18,445 I don't know. 680 00:36:19,514 --> 00:36:21,516 Do you know me? You recognize me? 681 00:36:22,116 --> 00:36:23,250 I'm Guy Gaunt. 682 00:36:23,350 --> 00:36:24,585 -EDWARD: I don't know. -Ring a bell? 683 00:36:24,686 --> 00:36:26,621 EDWARD: I don't know, maybe. I can't place you. 684 00:36:26,721 --> 00:36:27,689 Right. 685 00:36:29,057 --> 00:36:30,858 -Volunteer fireman. -What? 686 00:36:32,093 --> 00:36:34,394 Do you... Do you work for Facebook? 687 00:36:34,494 --> 00:36:37,899 No, but I get this a lot. 688 00:36:37,999 --> 00:36:40,200 -Um... -No, that's not it. 689 00:36:40,668 --> 00:36:42,637 I saw you. 690 00:36:42,737 --> 00:36:44,806 I wouldn't forget you. I... I don't forget a face. 691 00:36:44,906 --> 00:36:45,907 EDWARD: Hmm. 692 00:36:48,109 --> 00:36:49,610 Excuse me, you got a little, uh, 693 00:36:50,243 --> 00:36:52,412 blood or something on ya. 694 00:36:52,513 --> 00:36:55,817 -EDWARD: Hmm. Hmm. -What's your name? 695 00:36:57,217 --> 00:36:59,286 -Edward. -After that. 696 00:37:02,123 --> 00:37:03,558 -Lemuel. -Huh? 697 00:37:04,458 --> 00:37:06,194 -Lemuel. -Leemwell. 698 00:37:06,293 --> 00:37:08,361 -Edward Leemwell. -Mmm-hmm. 699 00:37:08,462 --> 00:37:09,731 Hey, how do you do? 700 00:37:09,831 --> 00:37:12,133 This is really some mystery, isn't it? 701 00:37:12,667 --> 00:37:14,535 I'm Guy Gaunt, like I said. 702 00:37:16,470 --> 00:37:17,872 It'll come to me though. 703 00:37:18,840 --> 00:37:21,441 -You think on it, too, okay? -Okay. 704 00:37:21,542 --> 00:37:25,345 Okay. Enjoy your drink. 705 00:37:26,313 --> 00:37:27,915 [EDWARD RETCHING] 706 00:37:29,517 --> 00:37:31,451 [RETCHING AND COUGHING] 707 00:37:31,552 --> 00:37:33,554 [CRYING] 708 00:37:48,335 --> 00:37:50,505 [SCREAMS] No! 709 00:37:52,073 --> 00:37:54,274 [CRYING] 710 00:37:57,310 --> 00:37:59,514 [TENSE MUSIC PLAYING] 711 00:38:07,789 --> 00:38:08,856 [SIGHS] 712 00:38:12,193 --> 00:38:13,528 [SIGHING] 713 00:38:22,203 --> 00:38:24,404 -[SKIN SQUELCHING] -EDWARD: Uh... 714 00:38:27,407 --> 00:38:28,609 [GASPS] 715 00:38:34,182 --> 00:38:36,383 [BREATHING SHARPLY] 716 00:38:44,659 --> 00:38:45,626 [GRUNTS] 717 00:38:54,202 --> 00:38:55,803 [GAGS] 718 00:38:58,739 --> 00:39:00,741 [GAGGING] 719 00:39:19,961 --> 00:39:21,963 [TENSE MUSIC PLAYING] 720 00:39:33,040 --> 00:39:34,041 [GASPS] 721 00:39:35,977 --> 00:39:37,044 [CHUCKLES] 722 00:39:38,012 --> 00:39:39,981 [UNSETTLING MUSIC PLAYING] 723 00:39:53,160 --> 00:39:55,329 INGRID: [MUFFLED] I must say it's a silver lining. 724 00:39:55,428 --> 00:39:57,198 -It's not... -CARL: It's not what? 725 00:39:57,298 --> 00:39:59,466 [BOTH LAUGHING] 726 00:40:00,568 --> 00:40:01,769 [INGRID CLEARS THROAT] 727 00:40:01,869 --> 00:40:03,104 WHISTLE INSTRUCTOR: If you put your lips together, 728 00:40:03,204 --> 00:40:06,173 and blow, uh, sometimes this is what you get. 729 00:40:06,274 --> 00:40:07,742 [BLOWING AIR] 730 00:40:07,842 --> 00:40:10,511 And, uh, you know, most of the frustrated comments 731 00:40:10,611 --> 00:40:14,181 I get are, "Cosmo, I put my lips together and I blew, 732 00:40:14,282 --> 00:40:16,017 "but, um, that's all I got. 733 00:40:16,117 --> 00:40:18,753 "I sound like a tea kettle, but it's not whistling." 734 00:40:18,853 --> 00:40:21,722 Obviously, there's something else at play. 735 00:40:22,723 --> 00:40:26,027 What you really want is you want your... your mouth... 736 00:40:26,127 --> 00:40:28,963 -[EDWARD BLOWS AIR] -WHISTLE INSTRUCTOR: ...tight. 737 00:40:29,063 --> 00:40:31,966 -Not necessarily... -[EDWARD BLOWING AIR] 738 00:40:32,066 --> 00:40:34,735 WHISTLE INSTRUCTOR: ...small, because that, you know, varies 739 00:40:34,835 --> 00:40:36,504 -with the pitch. -[EDWARD SOBBING] 740 00:40:49,083 --> 00:40:51,052 [TENSE MUSIC FADES OUT] 741 00:40:58,092 --> 00:41:00,061 [INGRID AND CARL LAUGHING] 742 00:41:13,074 --> 00:41:15,076 [GENTLE MUSIC PLAYING] 743 00:41:23,417 --> 00:41:25,586 [SIREN WAILING] 744 00:41:40,234 --> 00:41:42,203 [JAZZY MUSIC PLAYING] 745 00:42:15,936 --> 00:42:18,239 [LOUD MUSIC PLAYING ON SPEAKERS] 746 00:42:24,812 --> 00:42:26,981 [PEOPLE SPEAKING INDISTINCTLY] 747 00:42:45,800 --> 00:42:47,635 [PEOPLE CHATTERING INDISTINCTLY] 748 00:42:52,339 --> 00:42:53,340 Whiskey. 749 00:42:55,643 --> 00:42:56,777 Rocks, up? 750 00:42:59,747 --> 00:43:01,916 I don't wanna dilute the medicinal value. 751 00:43:03,117 --> 00:43:04,151 You what? 752 00:43:16,664 --> 00:43:17,898 One more? 753 00:43:22,169 --> 00:43:24,138 [MEN SHOUTING] 754 00:43:25,139 --> 00:43:27,141 [CHEERING] 755 00:43:28,409 --> 00:43:29,810 Let's go, man! 756 00:43:29,910 --> 00:43:31,580 Come on, man. We did it! 757 00:43:31,679 --> 00:43:34,081 -Fucking wild, man. -Let's go baby. 758 00:43:34,181 --> 00:43:36,551 Yeah! Yeah! 759 00:43:36,650 --> 00:43:37,785 MAN 1: Come on, man. MAN 2: Yeah! 760 00:43:37,885 --> 00:43:39,521 -MAN 1: It's time to fuck up! -[MAN 3 GRUNTS] 761 00:43:39,620 --> 00:43:41,122 EDWARD: Yeah! MAN 1: Yeah! 762 00:43:41,222 --> 00:43:42,823 [BOTH YELLING] 763 00:43:42,923 --> 00:43:44,758 [PUNK MUSIC PLAYING OVER SPEAKERS] 764 00:44:16,924 --> 00:44:19,093 [PEOPLE CHATTERING INDISTINCTLY] 765 00:44:21,295 --> 00:44:23,264 [MUFFLED MUSIC PLAYING] 766 00:44:26,734 --> 00:44:27,835 [EDWARD MOANS] 767 00:44:27,935 --> 00:44:30,137 [BREATHING HEAVILY] 768 00:44:42,082 --> 00:44:43,317 [CHUCKLES] 769 00:44:44,418 --> 00:44:46,287 [BREATHING SHAKILY] 770 00:45:02,637 --> 00:45:04,805 -[EDWARD SIGHS] -[WATER DRIPPING] 771 00:45:16,250 --> 00:45:18,219 [SIREN WAILING] 772 00:45:36,671 --> 00:45:37,871 Uh... 773 00:45:39,406 --> 00:45:40,407 [SIGHS] 774 00:45:41,676 --> 00:45:42,876 [EXHALES] 775 00:45:51,620 --> 00:45:52,786 [KNOCKING ON DOOR] 776 00:45:56,625 --> 00:45:58,792 [KEYS JANGLING] 777 00:46:02,363 --> 00:46:03,364 [DOOR UNLOCKS] 778 00:46:04,566 --> 00:46:06,500 [DOOR OPENS] 779 00:46:08,269 --> 00:46:09,370 You got the hole? 780 00:46:10,639 --> 00:46:13,541 EDWARD: Uh, what... What time is it? 781 00:46:14,975 --> 00:46:16,410 [CLEARS THROAT] 782 00:46:16,511 --> 00:46:17,712 What the hell did you do? 783 00:46:17,811 --> 00:46:19,748 I... I didn't... I didn't do anything. 784 00:46:19,847 --> 00:46:21,616 Well, you shouldn't have let it get like this. 785 00:46:21,716 --> 00:46:22,916 Yeah. Well, what was I supposed to? 786 00:46:23,017 --> 00:46:24,051 I didn't... I didn't know what... 787 00:46:24,151 --> 00:46:26,954 You know, I told the guy downstairs, and... 788 00:46:27,054 --> 00:46:29,557 -Where were you? -Gallstones. 789 00:46:29,658 --> 00:46:31,025 -I thought your mother... -This 4F? 790 00:46:32,092 --> 00:46:33,093 Yeah. 791 00:46:35,229 --> 00:46:36,531 You're the man that lives here? 792 00:46:37,398 --> 00:46:39,833 Well, yes. 793 00:46:41,502 --> 00:46:43,571 There's another man that lives here though. 794 00:46:43,672 --> 00:46:46,974 Sometimes, maybe. Why? 795 00:46:47,074 --> 00:46:48,042 You're the one that called 796 00:46:48,142 --> 00:46:49,877 and complained about this hole. 797 00:46:49,977 --> 00:46:51,812 -The man with the dog. -No. 798 00:46:52,813 --> 00:46:54,448 I mean, I have a cat. 799 00:46:55,482 --> 00:46:58,018 NESTOR: A cat? Named what? 800 00:47:00,622 --> 00:47:01,922 I don't know. 801 00:47:06,293 --> 00:47:07,529 NESTOR: That's the guy that lives here? 802 00:47:07,629 --> 00:47:10,464 That is art. 803 00:47:10,565 --> 00:47:13,367 -NESTOR: Hmm, like a mask? -Like a... A bust. 804 00:47:13,834 --> 00:47:15,235 [CAT MEOWS] 805 00:47:17,938 --> 00:47:19,273 Pretty weird stuff. 806 00:47:21,041 --> 00:47:23,712 Okay, I'll, uh, I'll fix the... 807 00:47:23,812 --> 00:47:25,245 -Is that the cat? -Yep. 808 00:47:27,081 --> 00:47:29,818 Okay, I'll fix the hole. 809 00:47:29,917 --> 00:47:32,219 -Should I leave? -You can do whatever you want. 810 00:47:32,319 --> 00:47:35,022 You need help? Want some tap water? 811 00:47:37,191 --> 00:47:39,059 I hope I have the materials for this. 812 00:47:40,427 --> 00:47:41,596 This is a big problem. 813 00:47:43,297 --> 00:47:44,998 Should've fixed this sooner. 814 00:47:46,701 --> 00:47:47,868 [NESTOR EXHALES] 815 00:47:50,070 --> 00:47:52,239 Hi, uh, sorry. It... It was open. 816 00:47:52,339 --> 00:47:54,274 Is this Ed Lemuel's apartment? 817 00:47:55,643 --> 00:47:57,044 I... I know it's early. 818 00:47:57,144 --> 00:47:58,713 I'm looking for Mr. Lemuel. 819 00:47:58,813 --> 00:48:00,147 -Uh, he's a patient of mine. -Um... 820 00:48:00,247 --> 00:48:02,883 Uh, we have not heard from him for a week, 821 00:48:02,983 --> 00:48:04,051 and no one in my office has been 822 00:48:04,151 --> 00:48:05,953 able to get a hold of him. 823 00:48:06,053 --> 00:48:07,187 -[DOOR CLOSES] -Yeah. 824 00:48:07,287 --> 00:48:11,626 Well, what, um, happened is that he, uh... 825 00:48:12,960 --> 00:48:14,161 Edward is dead. 826 00:48:15,362 --> 00:48:17,197 What? He's dead? 827 00:48:17,297 --> 00:48:19,433 It happened very suddenly. 828 00:48:19,534 --> 00:48:20,934 How? When... Uh... 829 00:48:21,034 --> 00:48:22,637 Excuse me. Excuse me. 830 00:48:22,737 --> 00:48:24,271 Ah, thanks. Thanks. 831 00:48:25,205 --> 00:48:28,008 I'm Guy, a family friend. 832 00:48:28,643 --> 00:48:29,977 -Family. -Yeah. 833 00:48:30,911 --> 00:48:32,079 So, is there a funeral? 834 00:48:32,179 --> 00:48:33,848 Uh, yeah, no, it's over. 835 00:48:33,947 --> 00:48:37,184 He's... He's dead and buried. Cremated. 836 00:48:37,552 --> 00:48:39,521 Well, was he sick? 837 00:48:39,621 --> 00:48:41,955 NESTOR: Oh, I'm sorry. Excuse me, guys. Yeah. 838 00:48:42,524 --> 00:48:43,658 We don't know. 839 00:48:43,758 --> 00:48:45,527 -We're trying to find out. -[DR. FLEXNER SIGHING] 840 00:48:45,993 --> 00:48:47,327 Suicide. 841 00:48:48,328 --> 00:48:49,798 Suicide? 842 00:48:49,898 --> 00:48:51,165 Uh, was he depressed? 843 00:48:51,265 --> 00:48:52,332 Yeah. I'm sorry. I'm sorry. Yeah. 844 00:48:52,433 --> 00:48:54,301 -Was he depressed? -I don't know. 845 00:48:54,401 --> 00:48:56,704 -I don't know. -[DR. FLEXNER SIGHING] 846 00:48:58,238 --> 00:49:00,007 You... You say he was cremated? 847 00:49:00,107 --> 00:49:01,942 I think cremated, yeah. 848 00:49:03,343 --> 00:49:04,378 Uh... 849 00:49:06,246 --> 00:49:10,718 So you're sure Mr. Lemuel is really gone? 850 00:49:10,819 --> 00:49:14,087 Yep. He's, uh, really, really gone. 851 00:49:14,955 --> 00:49:16,190 Just like that. 852 00:49:26,935 --> 00:49:28,135 [CAR HORN HONKING] 853 00:49:29,804 --> 00:49:31,038 [EDWARD GRUNTS] 854 00:49:32,172 --> 00:49:33,575 MARIANA: I think you have mice. 855 00:49:34,642 --> 00:49:37,244 I saw some droppings. Ugh! 856 00:49:38,412 --> 00:49:42,015 -[ZIPPER ZIPS] -You need a cat. [CHUCKLES] 857 00:49:44,284 --> 00:49:46,420 All right, I'll see you later. 858 00:50:02,035 --> 00:50:04,338 NICK: ♪ Guy Moratz! 859 00:50:04,438 --> 00:50:07,207 ♪ You know I'm gonna Take a chance 860 00:50:07,307 --> 00:50:10,177 ♪ On some good ass property 861 00:50:10,277 --> 00:50:12,179 ♪ Sell it to the lady ♪ 862 00:50:12,279 --> 00:50:14,649 MARIANA: Yeah! NICK: Whoa! 863 00:50:14,749 --> 00:50:16,216 [STAFF APPLAUDING] 864 00:50:16,316 --> 00:50:17,852 -NICK: Look at this guy! -[MARIANA CHUCKLING] 865 00:50:17,952 --> 00:50:19,186 Look at this guy! 866 00:50:19,286 --> 00:50:20,354 -Yes. -MAN: Yeah! 867 00:50:20,454 --> 00:50:22,690 This is my fucking guy. Look at this piece 868 00:50:22,790 --> 00:50:23,558 -of man candy -Put it down. 869 00:50:23,658 --> 00:50:25,292 -MAN: No way. -No. I'm not going to. 870 00:50:25,392 --> 00:50:26,493 -[EDWARD CHUCKLES] -Look at this piece 871 00:50:26,594 --> 00:50:28,495 of man candy. I'm getting a fucking toothache. 872 00:50:28,596 --> 00:50:31,131 -MARIANA: He looks great. -Sit the fuck down. 873 00:50:31,231 --> 00:50:33,033 Sit the fuck down and get to work, you genius. 874 00:50:33,133 --> 00:50:35,003 It turned out so well. 875 00:50:35,102 --> 00:50:36,838 NICK: I notice that isn't on your little billboard. 876 00:50:36,938 --> 00:50:39,406 -[CHUCKLES] Sorry. -What? 877 00:50:39,507 --> 00:50:41,643 NICK: Just that little pockmark or whatever. 878 00:50:41,743 --> 00:50:43,143 It's nothing. Nobody's ever gonna notice it. 879 00:50:43,243 --> 00:50:44,411 It's not... You can't see it on the... 880 00:50:44,512 --> 00:50:47,715 You know, I'm sure they buffed it out. 881 00:50:49,116 --> 00:50:50,484 You're gonna wanna change your name 882 00:50:50,585 --> 00:50:52,386 if you're gonna be a fucking famous model. 883 00:50:52,486 --> 00:50:55,255 Guy Moratz just sounds fucking made up. 884 00:50:55,355 --> 00:50:58,158 MARIANA: He's on the lam. NICK: He's on the lam, huh? 885 00:50:58,258 --> 00:50:59,359 You kill somebody? Who are you? 886 00:50:59,459 --> 00:51:01,295 I'm not gonna tell anybody. You kill somebody? 887 00:51:01,395 --> 00:51:04,398 -No. -NICK: Stay humble, Fabio. 888 00:51:04,498 --> 00:51:06,768 I see you over there getting a big old head. 889 00:51:09,037 --> 00:51:11,104 [TRAIN RATTLING] 890 00:51:32,026 --> 00:51:34,227 [PEOPLE CHATTERING INDISTINCTLY] 891 00:51:37,832 --> 00:51:39,834 [DRAMATIC MUSIC PLAYING] 892 00:51:47,508 --> 00:51:49,711 [MYSTERIOUS MUSIC PLAYING] 893 00:52:27,749 --> 00:52:29,751 [MUSIC FADES OUT] 894 00:52:34,756 --> 00:52:36,758 [GENTLE MUSIC PLAYING] 895 00:52:47,635 --> 00:52:51,039 SILVERHEELS: They taunt me and beg me 896 00:52:51,139 --> 00:52:52,707 just to see my face. 897 00:52:53,206 --> 00:52:55,910 Only so that when I do, 898 00:52:56,010 --> 00:52:58,646 they can turn and run in horror. 899 00:52:58,746 --> 00:53:00,380 INGRID: Thank you, Mr. Silverheels. 900 00:53:00,480 --> 00:53:01,783 Thank you for your time. 901 00:53:04,919 --> 00:53:06,353 [PEOPLE MUMBLING INDISTINCTLY] 902 00:53:06,453 --> 00:53:07,689 WOMAN: I worry about it. 903 00:53:09,857 --> 00:53:10,825 Can I help you? 904 00:53:12,994 --> 00:53:14,294 Hi... [HESITATES] 905 00:53:14,394 --> 00:53:16,531 -Are you here for Edward? -EDWARD: Uh... 906 00:53:18,298 --> 00:53:19,399 Is he on the call sheet? 907 00:53:19,499 --> 00:53:21,368 Sammy Silverheels is the last one for the day. 908 00:53:22,670 --> 00:53:24,772 -What? -Did you get sides? 909 00:53:26,107 --> 00:53:28,009 -Sides? -Viv give him the... 910 00:53:28,109 --> 00:53:29,877 Get him sides for, um, Theo. 911 00:53:29,977 --> 00:53:31,079 -VIV: Okay. -Scene 12. 912 00:53:31,179 --> 00:53:32,914 -Fiona, can you... -FIONA: Yeah. 913 00:53:34,247 --> 00:53:35,449 [INGRID CLEARS THROAT] 914 00:53:42,289 --> 00:53:44,291 Okay. Whenever you're ready. 915 00:53:49,396 --> 00:53:50,598 [EDWARD CLEARS THROAT] 916 00:53:51,799 --> 00:53:52,800 Um... 917 00:53:54,267 --> 00:53:55,703 "If... If it was me, I would... 918 00:53:55,803 --> 00:53:58,106 "I'd just move out of the building, 919 00:53:58,206 --> 00:54:00,007 "forfeit my deposit. 920 00:54:00,108 --> 00:54:02,510 "I couldn't live next to that. 921 00:54:02,610 --> 00:54:06,180 "Every time you step outside not knowing 922 00:54:06,279 --> 00:54:07,682 "if he's gonna be there. 923 00:54:10,051 --> 00:54:14,555 "Always be on guard. Jesus, I'd have nightmares." 924 00:54:14,655 --> 00:54:17,825 Come on. Don't be an asshole. You don't mean that. 925 00:54:23,664 --> 00:54:25,767 "I sure as hell do mean it. 926 00:54:25,867 --> 00:54:30,337 "And I... I don't feel bad about it either. 927 00:54:30,437 --> 00:54:32,607 "Humans are hardwired to fear, 928 00:54:33,473 --> 00:54:35,576 "despise the sick and the ugly. 929 00:54:37,477 --> 00:54:42,083 "Used to leave deformed babies out to die in the cold. 930 00:54:42,183 --> 00:54:44,218 "Put 'em in the institutions at least. 931 00:54:44,317 --> 00:54:46,554 "I've got science on my side. 932 00:54:46,654 --> 00:54:48,656 "You know it's true. But it's... 933 00:54:48,756 --> 00:54:52,627 "You're... You're just being politically, um... 934 00:54:54,294 --> 00:54:55,495 "correct." 935 00:54:57,198 --> 00:54:59,366 [TRAFFIC WHOOSHING] 936 00:55:03,070 --> 00:55:05,239 I need this, man. 937 00:55:05,338 --> 00:55:07,508 I'd be right for it, too. 938 00:55:07,608 --> 00:55:09,911 Kind of born for it. 939 00:55:10,611 --> 00:55:12,246 You know what I mean. 940 00:55:12,345 --> 00:55:14,549 Just wanna tell my mama, 941 00:55:14,649 --> 00:55:17,952 "Hey, it was all worth it." 942 00:55:18,052 --> 00:55:19,620 [SIRENS WAILING] 943 00:55:19,720 --> 00:55:22,790 [SIGHS] The life we've chosen, huh? 944 00:55:25,126 --> 00:55:26,093 Yeah. 945 00:55:36,336 --> 00:55:37,805 -[DOOR OPENS] -[DOORBELL CHIMING] 946 00:55:40,808 --> 00:55:41,776 [DOOR CLOSES] 947 00:55:48,348 --> 00:55:50,483 Uh, who is Guy Moratz? 948 00:55:50,585 --> 00:55:52,153 FIONA: Does it hurt? 949 00:55:52,253 --> 00:55:54,055 EDWARD: No. FIONA: Good. 950 00:55:55,823 --> 00:55:57,158 Hey, that photo, 951 00:55:57,258 --> 00:55:58,626 -is that you as a boy? -EDWARD: Oh. 952 00:55:58,726 --> 00:55:59,727 INGRID: Excuse me. EDWARD: Yeah. 953 00:55:59,827 --> 00:56:01,996 INGRID: Excuse me. What's going on here? 954 00:56:03,764 --> 00:56:05,800 EDWARD: I... INGRID: Well... 955 00:56:05,900 --> 00:56:06,934 EDWARD: What? 956 00:56:07,034 --> 00:56:10,938 INGRID: Forgive me, is that, uh, some kind of mask? 957 00:56:12,206 --> 00:56:13,473 EDWARD: It's a prototype. 958 00:56:14,242 --> 00:56:17,044 INGRID: Prototype? Of what? 959 00:56:17,144 --> 00:56:18,378 EDWARD: For the face. 960 00:56:18,478 --> 00:56:21,315 The eventual, uh... 961 00:56:22,183 --> 00:56:23,985 Uh, we'll use makeup. I don't... I don't know... 962 00:56:24,085 --> 00:56:25,152 However you wanna handle it. 963 00:56:26,053 --> 00:56:27,588 INGRID: Who are you exactly? 964 00:56:27,688 --> 00:56:28,890 EDWARD: I'm Edward. 965 00:56:30,358 --> 00:56:31,893 Guy Moratz, supposedly. 966 00:56:33,227 --> 00:56:34,427 EDWARD: I was... INGRID: Guy Moratz. 967 00:56:34,528 --> 00:56:36,496 -You're Guy Moratz. -EDWARD: I was born for this. 968 00:56:37,865 --> 00:56:38,966 INGRID: So... 969 00:56:40,001 --> 00:56:41,335 EDWARD: I am this guy. 970 00:56:41,434 --> 00:56:43,571 INGRID: Are you... deformed? 971 00:56:44,672 --> 00:56:46,040 EDWARD: I am this guy. 972 00:56:48,142 --> 00:56:49,476 We... [CHUCKLES] 973 00:56:49,577 --> 00:56:51,879 This is... This is an off-Broadway production. 974 00:56:51,979 --> 00:56:53,314 I don't think we can afford makeup. 975 00:56:53,413 --> 00:56:54,749 EDWARD: Just let me do the scene. 976 00:56:55,616 --> 00:56:56,951 INGRID: Where'd you get that mask? 977 00:56:57,051 --> 00:56:58,152 EDWARD: Begin please. 978 00:56:59,520 --> 00:57:01,656 Begin. Come on. 979 00:57:04,258 --> 00:57:05,626 -[SIGHS] -There. 980 00:57:06,861 --> 00:57:08,329 All better. 981 00:57:08,428 --> 00:57:10,064 -Does it hurt? -EDWARD: No. 982 00:57:11,165 --> 00:57:12,166 Good. 983 00:57:14,101 --> 00:57:15,102 Hey... [CHUCKLES] 984 00:57:15,536 --> 00:57:16,938 That photo. 985 00:57:17,038 --> 00:57:19,941 -EDWARD: Oh. -Is that you as a boy? 986 00:57:20,041 --> 00:57:22,677 EDWARD: Uh, um, yeah. 987 00:57:23,911 --> 00:57:26,479 So I guess you weren't born... 988 00:57:29,583 --> 00:57:32,887 -I'm sorry. It's not my place. -EDWARD: It's okay. 989 00:57:34,255 --> 00:57:37,158 FIONA: People probably ask you a lot of questions. 990 00:57:38,826 --> 00:57:42,096 EDWARD: It's not the questions I, uh, mind so much. 991 00:57:43,864 --> 00:57:44,832 FIONA: No? 992 00:57:45,866 --> 00:57:48,002 People can be cruel, I imagine. 993 00:57:51,439 --> 00:57:52,907 You have an eyelash. 994 00:57:53,007 --> 00:57:54,809 -Let me get it. -EDWARD: Uh... 995 00:58:01,315 --> 00:58:02,482 FIONA: I... EDWARD: Oh. 996 00:58:03,050 --> 00:58:05,019 I have to go. I... 997 00:58:05,119 --> 00:58:06,486 EDWARD: I'm... I'm sorry. FIONA: No, no, no. 998 00:58:06,587 --> 00:58:08,189 I... I didn't realize what time it was. 999 00:58:08,289 --> 00:58:10,591 EDWARD: I'm sorry. It's just, um... 1000 00:58:12,226 --> 00:58:13,493 No one, uh... 1001 00:58:16,230 --> 00:58:17,631 No one's ever, uh... 1002 00:58:19,967 --> 00:58:23,170 Touched my... My face before. 1003 00:58:25,206 --> 00:58:26,273 [EDWARD CLEARS THROAT] 1004 00:58:36,717 --> 00:58:39,286 INGRID: Your first audition was a little, uh... 1005 00:58:39,387 --> 00:58:41,288 EDWARD: I was, uh, traumatized, 1006 00:58:41,389 --> 00:58:43,190 because a... a friend, 1007 00:58:43,290 --> 00:58:46,327 childhood best friend was... 1008 00:58:46,427 --> 00:58:49,196 Had very much, uh, this condition. 1009 00:58:49,296 --> 00:58:50,798 Like Edward, your Edward. 1010 00:58:50,898 --> 00:58:52,566 Don't tell me his name was Edward. 1011 00:58:53,300 --> 00:58:54,301 No, no. 1012 00:58:55,136 --> 00:58:58,039 -Ronnie. -Can Lonnie act? 1013 00:58:58,139 --> 00:59:00,307 He died. Um, which is... 1014 00:59:00,408 --> 00:59:03,177 And so I... I felt overwhelmed. 1015 00:59:03,277 --> 00:59:04,311 Uh, you know, 1016 00:59:04,412 --> 00:59:07,848 and... And... And that's why I really feel strongly 1017 00:59:07,948 --> 00:59:10,584 that I have to play this part. 1018 00:59:10,684 --> 00:59:13,454 [CHUCKLES] That's one way to honor a friend. 1019 00:59:13,554 --> 00:59:14,588 FIONA: Check it out. 1020 00:59:14,688 --> 00:59:16,490 EDWARD: So did you know an Edward? 1021 00:59:16,590 --> 00:59:19,360 INGRID: An Edward? This can't just be a story 1022 00:59:19,460 --> 00:59:21,062 my brilliant imagination has cooked up? 1023 00:59:21,162 --> 00:59:24,065 I've known, you know, a couple of people. 1024 00:59:24,165 --> 00:59:27,368 It's more of, um... What's the word? 1025 00:59:27,468 --> 00:59:29,370 -Tribute. -Amalgamation. 1026 00:59:29,837 --> 00:59:31,672 -Oh. -It's me, too. 1027 00:59:31,772 --> 00:59:34,509 Part of the character is based on myself in a way. 1028 00:59:34,608 --> 00:59:35,676 It's... It's, um... 1029 00:59:35,776 --> 00:59:37,711 Uh, how... How... How is that? 1030 00:59:37,812 --> 00:59:39,847 To be perfectly blunt, I'd wanted to cast 1031 00:59:39,947 --> 00:59:41,682 a person who looks, well, 1032 00:59:41,782 --> 00:59:44,885 -who looks like that, ideally. -Hmm. 1033 00:59:44,985 --> 00:59:47,254 But it's... It's hard. You get fixated on this idea, 1034 00:59:47,354 --> 00:59:49,890 and, um, if it's not right, it's not right. 1035 00:59:49,990 --> 00:59:51,926 You had someone specific in mind. 1036 00:59:52,026 --> 00:59:53,761 The question is, do you cast someone 1037 00:59:53,861 --> 00:59:56,730 with a condition even though it's not the right fit? 1038 00:59:56,831 --> 00:59:58,432 Is it wrong to cast someone 1039 00:59:58,533 --> 01:00:00,201 because of their disfigurement? 1040 01:00:01,469 --> 01:00:02,937 Exploitative even? 1041 01:00:04,205 --> 01:00:05,673 Will people come to gawk? 1042 01:00:05,773 --> 01:00:06,907 Where's the ethical line? 1043 01:00:07,007 --> 01:00:09,110 You know, it's funny because, um, 1044 01:00:09,210 --> 01:00:12,746 Edward has this awkwardness in his own skin, 1045 01:00:12,847 --> 01:00:14,782 and it's kind of brilliant in a way, 1046 01:00:14,882 --> 01:00:17,118 seeing you who looks like you, 1047 01:00:18,252 --> 01:00:19,120 but you're not yourself. 1048 01:00:19,220 --> 01:00:20,988 You have this mask, this other persona, 1049 01:00:21,088 --> 01:00:22,957 and it creates this dissonance, 1050 01:00:23,057 --> 01:00:25,726 and it just... It clicked for me. 1051 01:00:25,826 --> 01:00:27,695 It was strangely affecting. 1052 01:00:29,296 --> 01:00:32,766 It was like seeing my own creation come to life. 1053 01:00:37,471 --> 01:00:39,840 [CHUCKLING] 1054 01:00:46,046 --> 01:00:48,015 -Oh, hey, Mr. Sablosky. -Hey. 1055 01:00:58,259 --> 01:01:01,061 INGRID: He's blind. Shoes off please. 1056 01:01:05,833 --> 01:01:07,034 -Not the bag. -What? 1057 01:01:07,134 --> 01:01:09,103 -[CHUCKLES] Just kidding. -[EDWARD LAUGHS] 1058 01:01:11,972 --> 01:01:13,407 Just put it on the floor. 1059 01:01:22,183 --> 01:01:25,853 Is this where you, uh, you do your writing? 1060 01:01:25,953 --> 01:01:28,689 INGRID: Oh, I never used it. I'm not sure it even works. 1061 01:01:28,789 --> 01:01:30,958 [OBJECTS CLATTERING] 1062 01:01:33,160 --> 01:01:34,828 [CLACKING] 1063 01:01:37,198 --> 01:01:40,334 -Seems to work. -INGRID: Hmm. It's yours. 1064 01:01:40,434 --> 01:01:41,769 Give it a proper home. 1065 01:01:42,637 --> 01:01:44,004 [CLEARS THROAT] 1066 01:01:44,104 --> 01:01:46,440 What... Where did it come from? 1067 01:01:47,775 --> 01:01:48,876 Looks Italian. 1068 01:01:48,976 --> 01:01:50,444 -[CLEARS THROAT] -[CAT MEOWS] 1069 01:01:50,545 --> 01:01:51,613 Psst, psst, psst, psst. 1070 01:01:51,712 --> 01:01:53,881 -[CAT MEOWS] -Hello. 1071 01:01:53,981 --> 01:01:56,317 -Hello. -Who... Who is this? 1072 01:01:56,417 --> 01:01:58,886 -C. Pulaski. -C. Pulaski. 1073 01:01:58,986 --> 01:02:00,354 -C. Pulaski. -EDWARD: Yeah. 1074 01:02:00,454 --> 01:02:01,255 -Hey. -Oh. 1075 01:02:01,355 --> 01:02:02,557 -[EDWARD CHUCKLES] -[INGRID MIMICS MEOWING] 1076 01:02:02,657 --> 01:02:03,824 [CHUCKLES] 1077 01:02:05,159 --> 01:02:06,160 You hungry? 1078 01:02:07,094 --> 01:02:09,263 -[KNOCKING ON DOOR] -Goddamn her. 1079 01:02:10,464 --> 01:02:11,832 -Ugh! -Who... Who is that? 1080 01:02:11,932 --> 01:02:15,269 It's this intolerable old hag down there. 1081 01:02:15,369 --> 01:02:17,071 You can't even walk barefoot in here. 1082 01:02:18,172 --> 01:02:19,273 Okay. 1083 01:02:19,373 --> 01:02:21,875 -There's the bar. -Oh, I've had enough. 1084 01:02:22,510 --> 01:02:23,811 Make me something. 1085 01:02:26,981 --> 01:02:28,249 -Ooh. -[BOTH CHUCKLING] 1086 01:02:28,349 --> 01:02:30,150 Ooh. [CHUCKLES] 1087 01:02:30,484 --> 01:02:31,919 [BOTH CHUCKLING] 1088 01:02:32,721 --> 01:02:33,887 [EDWARD CLEARS THROAT] 1089 01:02:41,495 --> 01:02:42,496 [POURING DRINK] 1090 01:02:49,503 --> 01:02:51,372 How long have you lived here? 1091 01:02:51,472 --> 01:02:53,774 ["HITTIN' ON NOTHIN" BY IRMA THOMAS PLAYING ON SPEAKERS] 1092 01:02:54,275 --> 01:02:55,376 [EDWARD CHUCKLES] 1093 01:02:56,277 --> 01:02:57,244 Hmm. 1094 01:03:01,815 --> 01:03:03,117 I don't think the old hag's gonna... 1095 01:03:03,217 --> 01:03:04,985 -[INGRID CHUCKLES] -...like that. 1096 01:03:11,358 --> 01:03:13,894 Well, what's worse? 1097 01:03:13,994 --> 01:03:16,230 Me having to tiptoe around not to upset 1098 01:03:16,330 --> 01:03:19,300 the sensitive bitch, or her having to live 1099 01:03:19,400 --> 01:03:21,502 with such a noisy little bitch upstairs? 1100 01:03:23,804 --> 01:03:26,340 I would rather live in a house all by myself. 1101 01:03:27,509 --> 01:03:28,809 That's not an answer. 1102 01:03:29,511 --> 01:03:30,477 [EDWARD CLEARS THROAT] 1103 01:03:31,746 --> 01:03:33,047 [KNOCKING ON DOOR] 1104 01:03:34,448 --> 01:03:36,551 -Cops after you? -What? 1105 01:03:36,651 --> 01:03:38,986 -You're jumpy. -I startle easily. 1106 01:03:39,086 --> 01:03:40,487 Yeah. Nervous Nelly. 1107 01:03:40,588 --> 01:03:42,089 You think it's the bitch? 1108 01:03:46,528 --> 01:03:47,494 -Hey. -CARL: I'm sorry. 1109 01:03:47,595 --> 01:03:49,597 I was just in the borough. I thought I'd drop in. 1110 01:03:49,698 --> 01:03:51,599 INGRID: You don't live here. What are you doing here? 1111 01:03:51,700 --> 01:03:53,834 I can see you're as excited to see me 1112 01:03:53,934 --> 01:03:55,102 -as I am to see you. -INGRID: Yes, Carl. 1113 01:03:55,202 --> 01:03:56,370 [CARL MUMBLING INDISTINCTLY] 1114 01:03:56,470 --> 01:03:59,006 INGRID: It's not a game. It's... It's over. 1115 01:03:59,106 --> 01:04:01,842 I'm sorry, Carl. I have someone here. 1116 01:04:01,942 --> 01:04:03,511 CARL: Yeah, right here. 1117 01:04:03,611 --> 01:04:05,780 I'm here to come in, say hello. 1118 01:04:05,879 --> 01:04:08,148 INGRID: I have a visitor. Okay? 1119 01:04:08,248 --> 01:04:09,383 CARL: What... What does that mean? 1120 01:04:09,483 --> 01:04:10,652 A... A delivery person? 1121 01:04:10,752 --> 01:04:12,252 INGRID: No. You know what that means. 1122 01:04:12,353 --> 01:04:13,287 Don't act stupid. 1123 01:04:13,387 --> 01:04:15,956 -You know what I mean. -CARL: Okay. 1124 01:04:16,056 --> 01:04:18,258 [CARL SPEAKING INDISTINCTLY] 1125 01:04:45,052 --> 01:04:46,521 -Bah! -[EDWARD SHUDDERS AND SIGHS] 1126 01:04:46,621 --> 01:04:49,890 [CHUCKLES] I had to do that. 1127 01:04:50,658 --> 01:04:52,126 Who was... Who was that? 1128 01:04:52,627 --> 01:04:53,661 Jilted lover. 1129 01:04:55,129 --> 01:04:57,898 -EDWARD: Hmm. -So many jilted lovers. 1130 01:05:03,103 --> 01:05:05,640 I leave a trail of tragedy in my wake. 1131 01:05:11,613 --> 01:05:12,980 I warned you. 1132 01:05:17,384 --> 01:05:21,856 The sad reality is my face is fragile. 1133 01:05:21,955 --> 01:05:23,223 And it's imperative 1134 01:05:23,323 --> 01:05:27,529 that I conduct my life based upon this fact. 1135 01:05:29,062 --> 01:05:31,965 When in doubt, live in fear. 1136 01:05:32,767 --> 01:05:34,536 That's my mantra. 1137 01:05:34,636 --> 01:05:38,405 Stay out of ballrooms, or crowded places in general. 1138 01:05:38,506 --> 01:05:40,642 Be nice to people. Be deferential. 1139 01:05:40,742 --> 01:05:42,042 Be the bigger man. 1140 01:05:42,142 --> 01:05:45,713 Argue if I must, and I mustn't really, 1141 01:05:45,814 --> 01:05:47,948 only from a safe distance. 1142 01:05:48,048 --> 01:05:52,754 Or under the protection of some powerful friend, 1143 01:05:52,854 --> 01:05:54,689 if I even had one and if he could 1144 01:05:54,789 --> 01:05:57,191 then be relied upon. 1145 01:05:58,827 --> 01:06:00,494 I tell myself, 1146 01:06:00,595 --> 01:06:05,065 "Edward, don't call attention to yourself." 1147 01:06:06,133 --> 01:06:08,570 It's a useless ad... Ad... 1148 01:06:09,236 --> 01:06:13,040 It's a useless advice. 1149 01:06:14,876 --> 01:06:16,043 Eh... 1150 01:06:17,712 --> 01:06:19,346 Oh, pardon the, uh, intrusion. 1151 01:06:19,446 --> 01:06:22,684 I met this casting director, unique and unusual 1152 01:06:22,784 --> 01:06:25,185 physiognomies is his specialty. 1153 01:06:25,285 --> 01:06:27,054 And he told me about this interesting play, 1154 01:06:27,154 --> 01:06:28,355 you're auditioning for, 1155 01:06:28,455 --> 01:06:30,357 and thought I could potentially be a perfect fit. 1156 01:06:30,457 --> 01:06:31,793 So I'm no actor, but I thought, 1157 01:06:31,893 --> 01:06:33,928 let's come down here, give it a gander. 1158 01:06:34,027 --> 01:06:36,230 And from the tidbit I've just seen, 1159 01:06:36,330 --> 01:06:38,165 seems like a rather curious piece. 1160 01:06:38,265 --> 01:06:40,200 But alas, I see the role is filled, 1161 01:06:40,300 --> 01:06:42,135 and rather ably, I must say. 1162 01:06:42,236 --> 01:06:44,137 So congrats to all involved. 1163 01:06:44,238 --> 01:06:46,941 And best of luck. Break a leg, as they say. 1164 01:06:47,040 --> 01:06:49,009 I'll be sure to see it when it comes out. 1165 01:06:49,109 --> 01:06:50,310 Take care. 1166 01:07:03,190 --> 01:07:05,392 [BOTH BREATHING HEAVILY] 1167 01:07:12,934 --> 01:07:14,167 Wait. Wait, wait. 1168 01:07:14,268 --> 01:07:15,703 -What? -Wait. Hold on. 1169 01:07:15,803 --> 01:07:17,772 [INGRID BREATHING HEAVILY] 1170 01:07:18,640 --> 01:07:19,641 You have the mask? 1171 01:07:20,508 --> 01:07:21,475 What? 1172 01:07:22,777 --> 01:07:23,811 Put it on. 1173 01:07:24,979 --> 01:07:28,081 -Why? -Just do what I tell you. 1174 01:07:29,918 --> 01:07:31,184 You don't wanna look at me? 1175 01:07:32,754 --> 01:07:34,689 Come on. It's my creation. 1176 01:07:54,042 --> 01:07:56,209 [OBJECTS CLATTERING] 1177 01:07:58,780 --> 01:07:59,781 EDWARD: Hmm. 1178 01:08:40,088 --> 01:08:42,056 [INGRID BREATHING HEAVILY] 1179 01:08:42,155 --> 01:08:44,324 [EDWARD BREATHING HEAVILY] 1180 01:08:52,332 --> 01:08:54,535 [EDWARD BREATHING HEAVILY] 1181 01:09:08,716 --> 01:09:10,183 -[EDWARD MOANS] -[LAUGHS] No, stop. 1182 01:09:10,283 --> 01:09:12,053 [LAUGHING] 1183 01:09:12,152 --> 01:09:13,186 EDWARD: What's the problem? 1184 01:09:13,286 --> 01:09:15,857 This is so fucked up. 1185 01:09:16,691 --> 01:09:17,859 What do you mean? 1186 01:09:17,959 --> 01:09:20,528 [LAUGHING] You look ridiculous. 1187 01:09:22,697 --> 01:09:24,999 I just wanna say a toast to the man who sold 1188 01:09:25,099 --> 01:09:27,401 the Cortland property, finally. 1189 01:09:27,501 --> 01:09:28,670 -King of 'em all. -MARIANA: Ah. 1190 01:09:28,770 --> 01:09:30,538 NICK: Shit hole with half a bathroom. 1191 01:09:30,638 --> 01:09:32,272 -[MARIANA CHUCKLES] -Chin-chin, my little man. 1192 01:09:32,372 --> 01:09:34,542 -Chin-chin, indeed. -OSWALD: Edward. 1193 01:09:35,543 --> 01:09:36,577 Hey, you probably don't remember me. 1194 01:09:36,678 --> 01:09:38,079 -We met back at the, um... -[SNAPS FINGERS] 1195 01:09:38,178 --> 01:09:39,714 ...theatre. Oswald. 1196 01:09:39,814 --> 01:09:40,882 -I... -NICK: Edward? 1197 01:09:40,982 --> 01:09:42,215 -NICK: I'm sorry. Edward? -Um, hi. 1198 01:09:42,315 --> 01:09:44,184 -NICK: Sorry, what? Edward? -It's... It's nothing. 1199 01:09:44,284 --> 01:09:46,219 OSWALD: Ooh, you're only Edward on the telly. 1200 01:09:46,319 --> 01:09:47,555 Sorry, awful joke. 1201 01:09:47,655 --> 01:09:49,957 What do you go by in the civilian world? 1202 01:09:50,058 --> 01:09:51,224 -Guy. -MARIANA: Guy Moratz. 1203 01:09:51,324 --> 01:09:52,459 NICK: Fabio is what I call him. 1204 01:09:52,560 --> 01:09:54,162 CLAY: Do you wanna pull up a seat, Oswald? 1205 01:09:54,261 --> 01:09:55,295 OSWALD: I've got a few moments, sure. 1206 01:09:55,395 --> 01:09:57,765 CLAY: This is all very, very mysterious. 1207 01:09:57,865 --> 01:10:01,169 What secret intel have you got about our enigmatic friend? 1208 01:10:01,268 --> 01:10:03,503 Only that your dear friend, Mr. Moratz, 1209 01:10:03,604 --> 01:10:06,941 is starring in a soon-to-be, classic theatrical production. 1210 01:10:07,041 --> 01:10:08,375 Star? Like as an actor? 1211 01:10:08,475 --> 01:10:11,378 EDWARD: No, it's... It's... It's a small, uh, production. 1212 01:10:11,478 --> 01:10:13,081 -Uh, play. Um... -Uh-huh. Okay. 1213 01:10:13,181 --> 01:10:14,649 Well, thank you so much for telling me. 1214 01:10:14,749 --> 01:10:15,950 It makes me feel very close to you. 1215 01:10:16,050 --> 01:10:17,752 -It's hard to, um, it, it's... -Your friend plays a man 1216 01:10:17,852 --> 01:10:20,353 with a disfigured face. Name of Edward. 1217 01:10:20,454 --> 01:10:21,488 NICK: Disfigured face? 1218 01:10:21,589 --> 01:10:23,691 And he dons a very convincing mask. 1219 01:10:23,791 --> 01:10:25,258 Well, it's still being perfected. 1220 01:10:25,358 --> 01:10:26,460 It's a prototype. 1221 01:10:26,561 --> 01:10:27,427 It's a sort of a Beauty and the Beast yarn. 1222 01:10:27,528 --> 01:10:28,563 That's one way of looking at it. 1223 01:10:28,663 --> 01:10:29,897 NICK: I love Beauty and the Beast. 1224 01:10:29,997 --> 01:10:31,666 -No. Well, it's called... -It's called just Edward, 1225 01:10:31,766 --> 01:10:35,469 which presumably means that you are the star of the show. 1226 01:10:35,570 --> 01:10:37,505 CLAY: Our Guy, a Broadway star? 1227 01:10:37,605 --> 01:10:39,207 -Off-Broadway. -Off-Broadway, Broadway. 1228 01:10:39,306 --> 01:10:40,508 OSWALD: His first step on the road to glory. 1229 01:10:40,608 --> 01:10:41,676 NICK: Show business. OSWALD: I saw 1230 01:10:41,776 --> 01:10:43,376 a little bit of it, and I was gobsmacked. 1231 01:10:43,477 --> 01:10:44,912 You were leading a double life, and I knew it. 1232 01:10:45,012 --> 01:10:46,681 He's cheating on us, that's what he's doing. 1233 01:10:46,781 --> 01:10:48,315 I... I'm getting the feeling I've messed things 1234 01:10:48,415 --> 01:10:49,784 up for you tonight. 1235 01:10:49,884 --> 01:10:51,384 CLAY: Yeah, you've outed him. Look how embarrassed he is. 1236 01:10:51,485 --> 01:10:52,553 -EDWARD: I'm not... -Little bashful, you are... 1237 01:10:52,653 --> 01:10:53,654 MARIANA: He's always embarrassed. 1238 01:10:53,755 --> 01:10:55,422 He's this little, like, Nervous Nelly, 1239 01:10:55,523 --> 01:10:56,691 -I always call him, you know? -NICK: Well, you should 1240 01:10:56,791 --> 01:10:57,959 see him when he gets bashful like the seven dwarfs. 1241 01:10:58,059 --> 01:10:59,127 Would you like a drink, Oswald? 1242 01:10:59,227 --> 01:11:00,595 OSWALD: I... Actually, I have to skedaddle. 1243 01:11:00,695 --> 01:11:02,429 But it was lovely meeting all of you. And a thousand... 1244 01:11:02,530 --> 01:11:03,998 And a thousand apologies 1245 01:11:04,098 --> 01:11:06,167 if I caused any discomfiture at all. 1246 01:11:06,266 --> 01:11:07,535 -It wasn't my place to... -CLAY: No, no, no. 1247 01:11:07,635 --> 01:11:08,770 ...to reveal your secret. 1248 01:11:08,870 --> 01:11:10,605 -Oh, it's... [CHUCKLES] -I will hopefully meet 1249 01:11:10,705 --> 01:11:12,573 all of you again, and I will see you, 1250 01:11:12,673 --> 01:11:15,676 my friend, on stage, cheering from the front row. 1251 01:11:15,777 --> 01:11:16,944 Take care. Lovely meeting you all. 1252 01:11:17,044 --> 01:11:18,246 NICK: Bye, bye, Oswald. 1253 01:11:18,345 --> 01:11:21,381 OSWALD: I'm mortified by my recklessness, 1254 01:11:21,481 --> 01:11:23,151 and I hope this doesn't come between us. 1255 01:11:23,251 --> 01:11:24,786 I just wanted to make sure you knew 1256 01:11:24,886 --> 01:11:26,754 how much I enjoyed your performance. 1257 01:11:26,854 --> 01:11:28,523 -Take care, Guy. -MARIANA: When is it? 1258 01:11:28,623 --> 01:11:29,924 -I mean, can we come? -NICK: Does it have 1259 01:11:30,024 --> 01:11:31,125 your little pock mark... 1260 01:11:31,225 --> 01:11:32,392 CLAY: I like that guy's accent. 1261 01:11:32,492 --> 01:11:33,895 -Is he from around here? -NICK: So, Edward... 1262 01:11:33,995 --> 01:11:35,763 -Don't call me that. -NICK: [CHUCKLES] Edward. 1263 01:11:35,863 --> 01:11:38,099 It's a cute name on you, first of all. 1264 01:11:38,199 --> 01:11:40,134 I just don't understand. He talks... 1265 01:11:40,234 --> 01:11:41,536 He speaks to the audience in... 1266 01:11:41,636 --> 01:11:43,971 In these long philosophical monologues, 1267 01:11:44,071 --> 01:11:45,405 and then when he talks to Fiona, 1268 01:11:45,506 --> 01:11:48,441 -he's monosyllabic. -Yeah. You want more lines? 1269 01:11:48,543 --> 01:11:49,977 You can barely remember the ones you have. 1270 01:11:50,077 --> 01:11:52,647 And why does he have to be so grateful to her? 1271 01:11:52,747 --> 01:11:54,015 -Just because he has this... -INGRID: He's not grateful! 1272 01:11:54,115 --> 01:11:56,017 He's so indebted to her just for talking to him? 1273 01:11:56,117 --> 01:11:57,384 No. He's nervous because he hasn't 1274 01:11:57,484 --> 01:11:58,686 had a lot of experience. 1275 01:11:58,786 --> 01:12:00,054 How do you know what kind of experience he's had? 1276 01:12:00,154 --> 01:12:01,989 -Are you fucking kidding me? -Maybe he's had a rich life. 1277 01:12:02,089 --> 01:12:04,324 -We don't know his backstory. -I know the backstory 1278 01:12:04,424 --> 01:12:05,760 of my own character, thank you very much. 1279 01:12:05,860 --> 01:12:07,161 And then he has to go kill himself, 1280 01:12:07,261 --> 01:12:08,563 'cause, of course, he's so depressed 1281 01:12:08,663 --> 01:12:10,932 -because he's deformed. -Look who I ran into. 1282 01:12:11,498 --> 01:12:14,434 Guy, my fellow! 1283 01:12:14,535 --> 01:12:16,037 Ah, it's good to see you again. 1284 01:12:16,137 --> 01:12:17,238 INGRID: Do you know each other? 1285 01:12:17,337 --> 01:12:19,273 Uh, yeah. I drunkenly descended upon Guy, 1286 01:12:19,372 --> 01:12:20,975 and his real estate mates at the pub. 1287 01:12:21,075 --> 01:12:22,610 -Real estate mates? -OSWALD: Lovely bunch. 1288 01:12:22,710 --> 01:12:25,046 I forgot to say, I'm looking for a place of my own. 1289 01:12:25,146 --> 01:12:26,047 Oh, sorry. Oswald. 1290 01:12:26,147 --> 01:12:28,583 -INGRID: I'm Ingrid. -Ah, the marvelous scribe. 1291 01:12:28,683 --> 01:12:30,483 -INGRID: And director. -Ah, la maestra. 1292 01:12:30,585 --> 01:12:33,154 INGRID: Um, and this is Fiona, who plays Iris. 1293 01:12:33,254 --> 01:12:34,188 -OSWALD: Hey. -Good to meet you. 1294 01:12:34,288 --> 01:12:35,256 Uh, and yeah, you met Vivian. 1295 01:12:35,355 --> 01:12:36,456 -OSWALD: Of course. -Yeah. 1296 01:12:36,557 --> 01:12:40,061 Uh, I don't know if this is okay with you, I... 1297 01:12:40,161 --> 01:12:41,361 Would you like to stay and watch? 1298 01:12:41,461 --> 01:12:42,697 OSWALD: Oh, I'm... I'm developing 1299 01:12:42,797 --> 01:12:44,599 somewhat of a reputation of intruding 1300 01:12:44,699 --> 01:12:45,867 -where I'm not wanted. -[VIVIAN CHUCKLES] 1301 01:12:45,967 --> 01:12:48,135 No, not at all, really. 1302 01:12:48,236 --> 01:12:49,402 It will be nerve-wracking for us. 1303 01:12:49,502 --> 01:12:50,571 The play's still very nascent. 1304 01:12:50,671 --> 01:12:52,073 -[OSWALD CHUCKLES] -Nothing is set in stone. 1305 01:12:52,173 --> 01:12:54,407 OSWALD: Oh, everyone's so self-conscious in showbiz. 1306 01:12:54,508 --> 01:12:55,743 -I love it. -INGRID: Yes. 1307 01:12:55,843 --> 01:12:57,211 OSWALD: Though I am intrigued by this whole process, 1308 01:12:57,311 --> 01:12:58,346 I have to admit. 1309 01:12:58,445 --> 01:13:00,214 INGRID: Um, well, if you're not too busy. 1310 01:13:00,314 --> 01:13:02,283 OSWALD: No. I mean, I've just had Jiu-Jitsu practice, 1311 01:13:02,382 --> 01:13:03,551 -so I'm a bit sweaty. -Oh, wow. 1312 01:13:03,651 --> 01:13:05,019 OSWALD: But other than that, I was just gonna sit 1313 01:13:05,119 --> 01:13:06,053 in the park and read my book. 1314 01:13:06,153 --> 01:13:08,189 -INGRID: What are you reading? -The Bluest Eye, 1315 01:13:08,289 --> 01:13:09,523 -by Toni Morrison. -That's one 1316 01:13:09,624 --> 01:13:10,925 -of my favorite books! -OSWALD: Really? Oh, no way. 1317 01:13:11,025 --> 01:13:13,527 It just so happens I was inspired by Guy to pick it up. 1318 01:13:13,628 --> 01:13:15,563 He's got these piercing blue eyes. 1319 01:13:15,663 --> 01:13:16,631 And when I first saw them, 1320 01:13:16,731 --> 01:13:18,766 I was like, "Ah, that reminds me." 1321 01:13:18,866 --> 01:13:20,433 Really? I never noticed your eyes, Guy. 1322 01:13:20,534 --> 01:13:22,336 -Okay. Sit anywhere you want. -OSWALD: Cool. 1323 01:13:22,435 --> 01:13:24,639 It will be boring, stopping and starting. 1324 01:13:24,739 --> 01:13:25,940 OSWALD: You won't know I'm here. 1325 01:13:26,040 --> 01:13:27,041 -Yeah, scene 16. -Sixteen. 1326 01:13:27,141 --> 01:13:30,410 Yeah, just from the top. Okay, and then, it's, uh... 1327 01:13:30,878 --> 01:13:32,113 Okay. [MUMBLING] 1328 01:13:39,553 --> 01:13:41,656 OSWALD: I was sad when he offed himself in the end. 1329 01:13:41,756 --> 01:13:42,957 INGRID: Yeah, well, it's a tragedy. 1330 01:13:43,057 --> 01:13:44,091 OSWALD: I mean, I know There's... There's nothing 1331 01:13:44,191 --> 01:13:45,293 can really be done about it. 1332 01:13:45,393 --> 01:13:46,928 And I really like Edward. 1333 01:13:47,028 --> 01:13:47,795 A rather passive chap. 1334 01:13:47,895 --> 01:13:49,764 Well, of course, till the suicide. 1335 01:13:49,864 --> 01:13:51,699 But honestly, I was really hoping 1336 01:13:51,799 --> 01:13:54,501 Edward, and, uh, Fiona, would live happily ever after. 1337 01:13:54,602 --> 01:13:55,603 -Oh, yeah. -But then, 1338 01:13:55,703 --> 01:13:56,671 would the audience believe that? 1339 01:13:56,771 --> 01:13:58,471 FIONA: I love your accent. 1340 01:13:58,572 --> 01:13:59,707 OSWALD: [CHUCKLES] I get that a lot. 1341 01:13:59,807 --> 01:14:01,842 You yanks love my mellifluous lyrical stylings. 1342 01:14:01,943 --> 01:14:03,811 -[ALL CHUCKLING] -OSWALD: But back at home, 1343 01:14:03,911 --> 01:14:04,712 I'm just a bloke. 1344 01:14:04,812 --> 01:14:07,114 No one pays any attention to me at all. 1345 01:14:07,214 --> 01:14:07,982 [GASPS] Oh, my God. 1346 01:14:08,082 --> 01:14:09,784 We should have Edward have an accent. 1347 01:14:09,884 --> 01:14:11,185 I reckon the critics would find it 1348 01:14:11,285 --> 01:14:12,420 a really classy endeavor. 1349 01:14:12,520 --> 01:14:13,854 -That's a great idea. -Do it. 1350 01:14:13,955 --> 01:14:16,257 -Guy speak like Oswald. -I... I can't. I can't. 1351 01:14:16,357 --> 01:14:18,059 -Sure you can. -Come on. 'Ello mate. 1352 01:14:18,159 --> 01:14:18,960 'Ello mate. 1353 01:14:19,060 --> 01:14:19,994 INGRID: Yeah. OSWALD: Yeah, yeah, look. 1354 01:14:20,094 --> 01:14:21,494 How's... How's the old lady doin'? 1355 01:14:21,595 --> 01:14:22,563 [IN BRITISH ACCENT] Uh, how's the old lady doing? 1356 01:14:22,663 --> 01:14:23,698 INGRID: That's horrible. OSWALD: I mean... 1357 01:14:23,798 --> 01:14:24,966 OSWALD: It needs some refinement, 1358 01:14:25,066 --> 01:14:25,967 but we'll get you there. 1359 01:14:26,067 --> 01:14:27,435 [IN NORMAL VOICE] You do an American accent. 1360 01:14:27,535 --> 01:14:28,569 [IN AMERICAN ACCENT] I coulda been a contender. 1361 01:14:28,669 --> 01:14:30,371 -INGRID AND FIONA: Yeah! -Adrienne! 1362 01:14:30,470 --> 01:14:31,973 -Yes! -I am not a crook. 1363 01:14:32,073 --> 01:14:34,942 INGRID: Wow, that's amazing. Why can't you do that? 1364 01:14:35,042 --> 01:14:36,277 OSWALD: [IN NORMAL VOICE] You're not playing 1365 01:14:36,377 --> 01:14:37,378 -Master Harold after all. -INGRID: I guess they didn't 1366 01:14:37,477 --> 01:14:38,612 teach you accents at Julliard. 1367 01:14:38,713 --> 01:14:39,981 OSWALD: Really, Guy. I had an affinity 1368 01:14:40,081 --> 01:14:42,583 for accents as a child, like moving around a lot, 1369 01:14:42,683 --> 01:14:44,151 and it just, sort of, blossomed into one 1370 01:14:44,251 --> 01:14:45,553 of my many useless talents. 1371 01:14:45,653 --> 01:14:46,654 What's your other talents? 1372 01:14:46,754 --> 01:14:47,922 Ooh, well, I can yodel. 1373 01:14:48,022 --> 01:14:48,990 Yodel-aye-ee-hoo! 1374 01:14:49,090 --> 01:14:50,758 I can juggle. I can sing. 1375 01:14:50,858 --> 01:14:52,760 I can play sax, though I'm no Coltrane. 1376 01:14:52,860 --> 01:14:54,095 And I'm learning to weave. 1377 01:14:54,195 --> 01:14:56,030 -I'm ashamed to say. -Oh, what can't you do? 1378 01:14:56,130 --> 01:14:58,332 -I mean, I can't whistle. -I can teach you. 1379 01:14:58,432 --> 01:14:59,967 [INGRID WHISTLES] You just... 1380 01:15:00,067 --> 01:15:02,069 BOTH: Put your lips together and blow! 1381 01:15:02,169 --> 01:15:03,971 [BOTH LAUGHING] 1382 01:15:04,071 --> 01:15:06,307 Oh, I can't drive that well either. 1383 01:15:06,407 --> 01:15:07,641 INGRID: Can you act? 1384 01:15:08,976 --> 01:15:10,611 [PAPERS RUSTLING] 1385 01:15:12,279 --> 01:15:14,281 [INGRID MURMURING] 1386 01:15:17,351 --> 01:15:18,619 EDWARD: What time is it? 1387 01:15:19,620 --> 01:15:20,955 INGRID: He's right. 1388 01:15:21,389 --> 01:15:22,790 Edward is too passive. 1389 01:15:27,728 --> 01:15:30,564 What does he know about Edward? 1390 01:15:31,599 --> 01:15:33,267 INGRID: I made him a victim. 1391 01:15:34,802 --> 01:15:36,937 I fell into the most obvious trap. 1392 01:15:38,472 --> 01:15:40,908 What is he supposed to be? A hero? 1393 01:15:42,176 --> 01:15:43,778 An inspiration? 1394 01:15:43,878 --> 01:15:47,715 INGRID: He's... He's just Edward. 1395 01:15:49,216 --> 01:15:50,684 Look, you said it yourself. 1396 01:15:50,785 --> 01:15:52,053 You wanted more lines. 1397 01:15:52,953 --> 01:15:54,789 And then you got mad at me. 1398 01:15:54,889 --> 01:15:56,957 -But if Oswald says it then... -Come on. 1399 01:15:58,125 --> 01:15:59,593 EDWARD: The guy who killed Lincoln. 1400 01:15:59,693 --> 01:16:02,296 -INGRID: What? -Oswald. 1401 01:16:04,899 --> 01:16:06,267 INGRID: Oswald killed Kennedy. 1402 01:16:07,536 --> 01:16:11,372 Whatever. Lincoln, right? 1403 01:16:12,073 --> 01:16:14,041 A disgruntled actor killed Lincoln, 1404 01:16:14,141 --> 01:16:15,843 right there in the theater, right? 1405 01:16:16,577 --> 01:16:17,812 Hinkley. 1406 01:16:18,646 --> 01:16:19,847 INGRID: Booth. 1407 01:16:21,415 --> 01:16:22,616 Right there in the booth. 1408 01:16:22,716 --> 01:16:25,319 [TENSE MUSIC PLAYING] 1409 01:16:31,125 --> 01:16:31,992 MURRAY: I'm sorry. 1410 01:16:32,093 --> 01:16:35,096 This must feel very dehumanizing. 1411 01:16:38,567 --> 01:16:41,268 Uh-oh. It's very fragile. 1412 01:16:45,039 --> 01:16:46,841 No! Leave me alone! Don't touch me! 1413 01:16:46,941 --> 01:16:48,142 But I was only trying to... 1414 01:16:48,242 --> 01:16:51,445 Yes! You're always trying to be helpful, aren't you? 1415 01:16:51,546 --> 01:16:52,847 Yes! Uh... 1416 01:16:52,947 --> 01:16:55,550 Uh, I... I don't want your pity! 1417 01:16:55,649 --> 01:16:57,318 You, you... I... I know you dis... 1418 01:16:57,418 --> 01:16:59,120 I disgust you! 1419 01:16:59,220 --> 01:17:00,855 -FIONA: That isn't true. -You don't think I know 1420 01:17:00,955 --> 01:17:02,890 what all your... All your little friends 1421 01:17:02,990 --> 01:17:04,258 [HESITATES] say about me? 1422 01:17:04,358 --> 01:17:06,460 "Why are you hanging out with that, with that freak? 1423 01:17:06,561 --> 01:17:07,828 "He's gonna get the wrong idea." 1424 01:17:07,928 --> 01:17:10,197 Well, you're the worst out of all them! 1425 01:17:10,297 --> 01:17:13,701 Ah! Ah... I don't... I don't care about your caring 1426 01:17:13,801 --> 01:17:15,803 and kindness and fussing! 1427 01:17:17,171 --> 01:17:19,073 Fuck. [SIGHS] 1428 01:17:21,208 --> 01:17:22,176 I hate you. 1429 01:17:23,911 --> 01:17:26,046 [PEOPLE CHATTERING INDISTINCTLY] 1430 01:17:31,018 --> 01:17:32,119 Sir Guy. 1431 01:17:33,287 --> 01:17:35,624 What are you... What are you doing here? 1432 01:17:35,723 --> 01:17:37,124 Yoga in the park. 1433 01:17:38,425 --> 01:17:39,426 Do you do yoga? 1434 01:17:40,562 --> 01:17:42,597 -No. -Oh, you should try it. 1435 01:17:42,696 --> 01:17:44,098 It's really therapeutic. 1436 01:17:44,965 --> 01:17:46,700 -Yeah. -I mean, off the record, 1437 01:17:46,800 --> 01:17:47,935 it's a bit of a chore, 1438 01:17:48,035 --> 01:17:50,004 but they say it's good for your withering body. 1439 01:17:50,104 --> 01:17:51,739 I think I'm feeling the benefits, 1440 01:17:51,839 --> 01:17:53,440 but maybe it's a placebo. 1441 01:17:53,542 --> 01:17:54,742 I don't know. 1442 01:17:55,544 --> 01:17:57,011 Oh, would you look at that. 1443 01:18:02,551 --> 01:18:04,752 [PROFOUND MUSIC PLAYING] 1444 01:18:14,728 --> 01:18:16,897 [OSWALD LAUGHING] 1445 01:18:18,165 --> 01:18:21,435 ♪ I floated lonely down the street one day... ♪ 1446 01:18:21,536 --> 01:18:22,604 OSWALD: Oh, I almost forgot. 1447 01:18:22,703 --> 01:18:24,606 They did the mock-up today. Right? 1448 01:18:24,705 --> 01:18:25,873 [KARAOKE PERFORMANCE CONTINUES] 1449 01:18:25,973 --> 01:18:28,242 Latex isn't it? How'd it go? 1450 01:18:28,342 --> 01:18:29,544 You heard about that? 1451 01:18:29,644 --> 01:18:31,779 Yeah, Ingrid was quite stressy about it. 1452 01:18:31,879 --> 01:18:33,847 -Did it come off? -What? 1453 01:18:33,948 --> 01:18:35,684 Did it have the desired effect? 1454 01:18:35,783 --> 01:18:38,352 -Well, it's still a... -Work in progress. Right? 1455 01:18:38,452 --> 01:18:41,088 Gonna take a bit of refinement to get it spot on. 1456 01:18:41,188 --> 01:18:43,924 That's what Murray said, the makeup artist. 1457 01:18:44,024 --> 01:18:46,561 Did you know he's half Northern Irish? 1458 01:18:46,661 --> 01:18:47,895 He said that's the most complicated thing 1459 01:18:47,995 --> 01:18:49,531 he's ever worked on. 1460 01:18:49,631 --> 01:18:51,666 I can't wait to see it in action. 1461 01:18:51,765 --> 01:18:53,568 Part of me wants to wait till opening night 1462 01:18:53,668 --> 01:18:56,103 so I get hit by the full effect of it, 1463 01:18:56,203 --> 01:18:58,272 but I still think I'll swing by tomorrow. 1464 01:18:58,372 --> 01:19:00,241 Ingrid wants some feedback on the new pages, 1465 01:19:00,341 --> 01:19:02,209 and it's always nice to see the gang. 1466 01:19:04,646 --> 01:19:05,680 You don't work? 1467 01:19:05,779 --> 01:19:07,248 OSWALD: Frankly, I don't work. 1468 01:19:07,348 --> 01:19:10,050 I made some lucky investments when I was at university 1469 01:19:10,150 --> 01:19:12,820 before running off to Tangiers with my professor. 1470 01:19:12,920 --> 01:19:15,089 Right now I'm looking for a place in the city, 1471 01:19:15,189 --> 01:19:16,625 which is why I thought I'd sit down 1472 01:19:16,725 --> 01:19:17,858 and have a chat with you. 1473 01:19:17,958 --> 01:19:19,260 -So... -SADIE: Look who it is. 1474 01:19:19,360 --> 01:19:21,061 Can I believe my eyes? 1475 01:19:21,161 --> 01:19:23,097 Oswald, you owe me dinner. 1476 01:19:23,598 --> 01:19:24,566 I'm so ashamed. 1477 01:19:24,666 --> 01:19:27,368 [CHUCKLES] Hi. I'm Sadie. 1478 01:19:27,468 --> 01:19:28,269 -Hey. -SADIE: Hmm. 1479 01:19:28,369 --> 01:19:31,138 Oh, this is Guy. He's a masterful actor. 1480 01:19:31,238 --> 01:19:34,743 Oh, no. I have bad luck with actors. 1481 01:19:34,842 --> 01:19:37,144 We are working on a play together. 1482 01:19:37,612 --> 01:19:38,747 You never stop, do you? 1483 01:19:38,846 --> 01:19:41,815 [CHUCKLES] Oswald is one of my favorite people 1484 01:19:41,915 --> 01:19:43,250 in the world. 1485 01:19:43,350 --> 01:19:45,720 How about I call you, say next week? 1486 01:19:45,819 --> 01:19:49,189 [CHUCKLES] I'll believe it when I see it. 1487 01:19:52,594 --> 01:19:54,562 [SADIE WHISPERING INDISTINCTLY] 1488 01:19:55,362 --> 01:19:56,363 [CLEARS THROAT] 1489 01:19:57,031 --> 01:19:58,600 Nice to meet you, Guy. 1490 01:19:58,700 --> 01:19:59,900 Watch out for this one. 1491 01:20:00,000 --> 01:20:02,202 -[KARAOKE PERFORMANCE ENDS] -[CROWD APPLAUDING] 1492 01:20:03,003 --> 01:20:05,839 -Who was that? -I mean, I know how it looks. 1493 01:20:05,939 --> 01:20:07,742 Just don't get any ideas. 1494 01:20:07,841 --> 01:20:10,177 EMCEE ON MIC: Next up, we have Oswald. 1495 01:20:10,277 --> 01:20:12,046 -Cheer me on, good sir. -EMCEE: Oswald. 1496 01:20:12,146 --> 01:20:14,348 [MUSIC PLAYING OVER SPEAKERS] 1497 01:20:28,162 --> 01:20:30,864 OSWALD: ♪ Sitting here 1498 01:20:31,800 --> 01:20:33,967 ♪ In this chair 1499 01:20:35,670 --> 01:20:37,539 ♪ Waiting on you 1500 01:20:38,272 --> 01:20:43,344 ♪ Oh, baby to see things my way 1501 01:20:44,612 --> 01:20:47,047 ♪ But not a word do you say 1502 01:20:47,147 --> 01:20:50,084 ♪ You won't even look my way 1503 01:20:55,122 --> 01:20:58,760 ♪ Girl, I'm spending my dimes 1504 01:20:58,859 --> 01:21:01,128 ♪ Wasting my time 1505 01:21:01,228 --> 01:21:06,333 ♪ Talking 'til I'm black and blue 1506 01:21:06,433 --> 01:21:08,102 ♪ Oh, can't you see 1507 01:21:08,936 --> 01:21:12,172 ♪ I wanna get next to you 1508 01:21:25,820 --> 01:21:30,090 ♪ Dreams of you and I go sailing by 1509 01:21:30,190 --> 01:21:34,596 ♪ Whenever your eyes meet mine 1510 01:21:34,696 --> 01:21:36,363 ♪ You're so fine 1511 01:21:36,463 --> 01:21:42,670 ♪ And girl you make me feel so insecure 1512 01:21:42,771 --> 01:21:45,640 ♪ You're so beautiful and pure 1513 01:21:45,740 --> 01:21:49,811 ♪ Why must you be unkind 1514 01:21:49,910 --> 01:21:51,513 ♪ And tell me I'm not your kind 1515 01:21:51,613 --> 01:21:53,380 ♪ Blowing my mind 1516 01:21:53,480 --> 01:21:58,485 ♪ Girl my, my money is low and I know 1517 01:21:58,586 --> 01:21:59,554 [LAUGHING] 1518 01:21:59,654 --> 01:22:04,759 ♪ That I can't take you to the fancy places 1519 01:22:04,859 --> 01:22:06,561 ♪ You might wanna go ♪ 1520 01:22:06,661 --> 01:22:08,028 EDWARD: I'm not Edward anymore? 1521 01:22:08,128 --> 01:22:11,733 Oh, no, you are, just after his transformation. 1522 01:22:11,833 --> 01:22:13,066 What is he talking about? 1523 01:22:13,167 --> 01:22:14,736 INGRID: Well, I've been thinking, 1524 01:22:14,836 --> 01:22:16,370 and to your credit, Guy, 1525 01:22:16,470 --> 01:22:18,673 you were right, and Oswald, too. 1526 01:22:18,773 --> 01:22:20,842 The suicide was ludicrous. 1527 01:22:20,941 --> 01:22:23,711 This wasn't meant to be a tragic love story. 1528 01:22:23,812 --> 01:22:25,312 Why can't they be happy? 1529 01:22:25,412 --> 01:22:27,047 And then Oswald and I were talking about 1530 01:22:27,147 --> 01:22:29,082 Beauty and the Beast and how he, in the end, 1531 01:22:29,183 --> 01:22:31,820 -becomes a beautiful prince. -A prince? 1532 01:22:31,920 --> 01:22:33,588 OSWALD: And you are that prince. 1533 01:22:33,688 --> 01:22:34,689 And you are the beast? 1534 01:22:34,789 --> 01:22:35,924 OSWALD: No, no, I'm not the beast. 1535 01:22:36,023 --> 01:22:37,424 I'm Edward. This isn't Beauty and the Beast. 1536 01:22:37,525 --> 01:22:39,293 That was just by way of explaining. 1537 01:22:39,794 --> 01:22:41,195 [SCOFFS] Okay. 1538 01:22:41,295 --> 01:22:43,565 I don't understand how he transforms. 1539 01:22:43,665 --> 01:22:44,998 How, how... [CHUCKLES] 1540 01:22:45,098 --> 01:22:47,735 -How is this possible? -He doesn't transform. 1541 01:22:47,836 --> 01:22:48,803 Not literally. 1542 01:22:48,903 --> 01:22:50,471 OSWALD: She just sees him differently. 1543 01:22:50,572 --> 01:22:52,139 EDWARD: Why? 1544 01:22:52,239 --> 01:22:54,975 You know how we idealize people when we're in love? 1545 01:22:55,075 --> 01:22:56,176 So I'm the idealized version of Oswald? 1546 01:22:56,276 --> 01:22:58,045 OSWALD: No, no. Not me, of Edward. 1547 01:22:58,145 --> 01:22:59,514 Why can't it just be him? 1548 01:22:59,614 --> 01:23:01,248 Why does she have to idealize him so he's somebody he isn't? 1549 01:23:01,348 --> 01:23:03,150 INGRID: Well, frankly, Guy, 1550 01:23:03,250 --> 01:23:04,451 to keep you in the play. 1551 01:23:05,252 --> 01:23:06,386 Look, this is hard for me, 1552 01:23:06,487 --> 01:23:08,155 but I really need Oswald to be Edward, 1553 01:23:08,255 --> 01:23:09,456 and he refused unless there was 1554 01:23:09,557 --> 01:23:11,391 a part for you, because he loves you 1555 01:23:11,492 --> 01:23:13,795 and he didn't want it to be like he was replacing you. 1556 01:23:13,895 --> 01:23:15,195 You should really be thanking Oswald. 1557 01:23:15,295 --> 01:23:16,631 This is my decision. 1558 01:23:16,731 --> 01:23:18,999 I had to beg him to do it. Look, it's not you Guy. 1559 01:23:19,099 --> 01:23:20,935 It's... It's the whole... The mask, the makeup. 1560 01:23:21,034 --> 01:23:24,104 It's a total bust. And Oswald, I mean... 1561 01:23:25,105 --> 01:23:26,841 Ingrid insisted. 1562 01:23:26,941 --> 01:23:28,610 And I have to admit, this does feel like 1563 01:23:28,710 --> 01:23:30,344 a uniquely rare opportunity 1564 01:23:30,444 --> 01:23:33,447 for a role that I was arguably born to play. 1565 01:23:33,548 --> 01:23:35,850 You're selling yourself short. You could play Hamlet. 1566 01:23:35,950 --> 01:23:37,652 [CHUCKLES] She's such a canny director, 1567 01:23:37,752 --> 01:23:38,720 flattering me like that. 1568 01:23:38,820 --> 01:23:39,888 Frankly, Guy, we've been making 1569 01:23:39,988 --> 01:23:41,388 all these changes and you've been having 1570 01:23:41,488 --> 01:23:43,156 a hard time, memorizing your new lines. 1571 01:23:43,257 --> 01:23:44,258 I haven't. I just... 1572 01:23:44,358 --> 01:23:45,793 -It's a process. -Whereas, Oswald, 1573 01:23:45,894 --> 01:23:48,228 has photographic memory. 1574 01:23:48,328 --> 01:23:50,130 I mean, sure I have photographic memory, 1575 01:23:50,230 --> 01:23:52,065 technically, but will that come in handy 1576 01:23:52,165 --> 01:23:54,501 -in this situation? -You already know your lines. 1577 01:23:54,602 --> 01:23:56,169 I know my lines, sure, but can I act? 1578 01:23:56,270 --> 01:23:58,873 -That is the question. -You can. He can. 1579 01:23:58,973 --> 01:24:00,575 You've seen it. We've all seen it. 1580 01:24:00,675 --> 01:24:01,910 Oswald's a natural. 1581 01:24:02,010 --> 01:24:03,076 If it's right, it's right. 1582 01:24:03,176 --> 01:24:04,546 You... You know the lines? 1583 01:24:04,646 --> 01:24:05,847 You, you've seen him act? 1584 01:24:05,947 --> 01:24:07,180 When... When did all this happen? 1585 01:24:07,281 --> 01:24:08,282 When he's been giving me feedback. 1586 01:24:08,382 --> 01:24:09,851 OSWALD: Guy, you're a masterful actor, 1587 01:24:09,951 --> 01:24:11,318 which is why this is so tragic. 1588 01:24:11,418 --> 01:24:13,755 I really don't know what the ethical thing to do is. 1589 01:24:13,855 --> 01:24:15,924 The right thing to do is for you to take the role, 1590 01:24:16,024 --> 01:24:18,458 and you still get to play Edward, Guy, 1591 01:24:18,560 --> 01:24:19,359 just transformed. 1592 01:24:19,459 --> 01:24:20,795 And you don't have to hide your face 1593 01:24:20,895 --> 01:24:21,996 behind that idiotic thing. 1594 01:24:22,095 --> 01:24:23,531 You, you get more recognition. 1595 01:24:23,631 --> 01:24:25,265 -For one scene. -But what a scene. 1596 01:24:25,365 --> 01:24:27,134 -The finale. -No one's gonna believe 1597 01:24:27,234 --> 01:24:28,435 that Edward looks like him 1598 01:24:28,536 --> 01:24:30,404 and then suddenly he just looks like me. 1599 01:24:30,504 --> 01:24:31,706 -Magic! -EDWARD: But she loves him 1600 01:24:31,806 --> 01:24:33,373 for who he is. If he changes, then who is he then? 1601 01:24:33,473 --> 01:24:35,810 INGRID: Same person. OSWALD: Same bloke, new face. 1602 01:24:35,910 --> 01:24:36,878 EDWARD: That's a different person! 1603 01:24:36,978 --> 01:24:37,979 VIVIAN: It's a metaphorical change. 1604 01:24:38,078 --> 01:24:39,112 Right out of Beauty and the Beast. 1605 01:24:39,212 --> 01:24:40,782 She loves him, therefore, voila, 1606 01:24:40,882 --> 01:24:42,016 he appears more beautiful to her. 1607 01:24:42,115 --> 01:24:43,585 But he has to pretend to be a beast 1608 01:24:43,685 --> 01:24:44,552 to prove her love. 1609 01:24:44,652 --> 01:24:46,054 He doesn't wanna be loved for his looks. 1610 01:24:46,153 --> 01:24:47,522 No, she loves him because he's a beast. 1611 01:24:47,622 --> 01:24:48,756 Or in spite of his beastliness. 1612 01:24:48,856 --> 01:24:50,324 They're talking about you like you're a beast. 1613 01:24:50,424 --> 01:24:51,693 We're talking about Edward. 1614 01:24:53,126 --> 01:24:54,161 Edward is not a beast. 1615 01:24:54,261 --> 01:24:55,495 Oh, no. Heavens, no. 1616 01:24:55,597 --> 01:24:58,298 But if we are gonna be using Beauty and the Beast 1617 01:24:58,398 --> 01:25:00,602 as our hypothetical comparison, 1618 01:25:00,702 --> 01:25:02,770 well, let's just all start being honest 1619 01:25:02,870 --> 01:25:04,504 with ourselves, old friend. 1620 01:25:05,439 --> 01:25:07,642 [INGRID SPEAKING INDISTINCTLY] 1621 01:25:10,477 --> 01:25:11,478 VIVIAN: I'll put it on my calendar. 1622 01:25:11,579 --> 01:25:13,180 -EDWARD: Hey. -Okay, great, yeah. 1623 01:25:13,280 --> 01:25:16,116 -What? -Let's go home. 1624 01:25:16,216 --> 01:25:17,217 -Let's have a drink. -EDWARD: Mmm. 1625 01:25:17,317 --> 01:25:19,386 -Don't be mopey. -I'm not thirsty. 1626 01:25:20,387 --> 01:25:21,889 Come or go. It's up to you. 1627 01:25:23,457 --> 01:25:24,424 Come on. 1628 01:25:26,126 --> 01:25:27,595 Come on. Come for one. 1629 01:25:40,074 --> 01:25:42,977 OSWALD: At first, the thought terrified me, 1630 01:25:43,077 --> 01:25:47,715 having my face disseminated to screens across the world, 1631 01:25:47,815 --> 01:25:51,886 that no matter what the hour, people were seeing me, 1632 01:25:52,720 --> 01:25:54,287 were laughing at me, 1633 01:25:54,388 --> 01:25:56,156 were horrified by me. 1634 01:25:56,256 --> 01:25:57,759 And that even when I'm gone, 1635 01:25:57,859 --> 01:26:01,495 my image would remain for others to despise. 1636 01:26:01,596 --> 01:26:07,334 But then, this idea gave me some comfort. 1637 01:26:07,434 --> 01:26:11,171 That if it wasn't me they were laughing at, 1638 01:26:11,271 --> 01:26:13,107 if I had not been known, 1639 01:26:13,206 --> 01:26:16,410 if I had not had to face my tormentors, 1640 01:26:17,045 --> 01:26:18,913 they'd be laughing at someone else, 1641 01:26:19,947 --> 01:26:21,248 someone different. 1642 01:26:34,862 --> 01:26:35,930 [FIONA CHUCKLES] 1643 01:26:39,133 --> 01:26:41,836 [MUSIC PLAYING OVER SPEAKERS] 1644 01:26:41,936 --> 01:26:43,538 BELCHER: Hey, you were in the show, weren't you? 1645 01:26:43,638 --> 01:26:46,339 I loved it. Congratulations. 1646 01:26:46,440 --> 01:26:48,676 -Hi. Ron Belcher. -Thanks. 1647 01:26:49,977 --> 01:26:52,180 That guy's amazing, right? 1648 01:26:52,279 --> 01:26:53,715 I... I gotta be honest with you, 1649 01:26:54,314 --> 01:26:55,616 I thought it was makeup. 1650 01:26:55,717 --> 01:26:57,819 I was saying to my wife... It's actually our anniversary. 1651 01:26:57,919 --> 01:26:59,620 That's her over there. 1652 01:26:59,721 --> 01:27:01,789 I was saying to her, "How'd they do that make-up?" 1653 01:27:01,889 --> 01:27:04,357 "Right? What is that? Some kind of polymer, right?" 1654 01:27:04,458 --> 01:27:06,259 "Where'd they get the budget for this?" 1655 01:27:06,359 --> 01:27:08,596 But she says to me, "I think that's his face." 1656 01:27:08,696 --> 01:27:11,599 And I said, "No, babe, you're nuts. 1657 01:27:11,699 --> 01:27:13,534 "That's gotta be some sort of get-up." 1658 01:27:13,634 --> 01:27:15,203 Like the whole time I'm watching the show, 1659 01:27:15,302 --> 01:27:16,503 I'm sitting there thinking, 1660 01:27:16,604 --> 01:27:20,340 "Is that real or is it some kind of weird effect?" 1661 01:27:20,440 --> 01:27:21,642 I mean, I couldn't believe it either way. 1662 01:27:21,743 --> 01:27:23,778 Man, I didn't know what I even wanted it to be. 1663 01:27:23,878 --> 01:27:27,481 So what was it like, uh, working with him? 1664 01:27:29,449 --> 01:27:30,785 I guess underneath all that, right, 1665 01:27:30,885 --> 01:27:32,220 he's just a regular guy. 1666 01:27:32,319 --> 01:27:34,254 Wonder if the guy that wrote the play, 1667 01:27:34,354 --> 01:27:35,790 knew him before he wrote it, 1668 01:27:35,890 --> 01:27:37,692 or if he just came up with a character like that 1669 01:27:37,792 --> 01:27:40,128 on his own and just hoped the right guy would 1670 01:27:40,228 --> 01:27:41,195 come along by chance. 1671 01:27:41,328 --> 01:27:42,764 Right? Seems risky to me. 1672 01:27:42,864 --> 01:27:45,499 Right? How do you go about finding that guy, right? 1673 01:27:45,600 --> 01:27:47,434 Looks exactly how you envision. 1674 01:27:47,869 --> 01:27:48,736 He can act too, right? 1675 01:27:48,836 --> 01:27:50,270 I mean, how do you even describe him? 1676 01:27:50,370 --> 01:27:52,272 What if they wanna put the show on in Boise? 1677 01:27:52,372 --> 01:27:55,243 Like to fly that guy out? What if he's dead? 1678 01:27:55,342 --> 01:27:57,712 They have to find the Idaho version of him. 1679 01:27:58,311 --> 01:27:59,412 I don't know, would a mask work? 1680 01:27:59,514 --> 01:28:01,314 Is that gonna be convincing? 1681 01:28:01,414 --> 01:28:03,751 Would another guy with some other affliction, 1682 01:28:03,851 --> 01:28:05,620 do just as well? 1683 01:28:05,720 --> 01:28:07,088 I don't know. Maybe they just cast, 1684 01:28:07,188 --> 01:28:09,857 uh, you know, regular guy like you, right? 1685 01:28:09,957 --> 01:28:12,093 Or me, right? The way they do Shakespeare now 1686 01:28:12,193 --> 01:28:13,227 with Black people, right? 1687 01:28:13,326 --> 01:28:15,963 That puts a different kind of spin on it. 1688 01:28:16,063 --> 01:28:18,966 So I'm thinking all this stuff during the show, right? 1689 01:28:19,066 --> 01:28:20,635 I mean, to be honest with you, three hours ago, 1690 01:28:20,735 --> 01:28:22,369 I'm saying to myself, "Do I really wanna go 1691 01:28:22,469 --> 01:28:24,972 "and sit in an un-air conditioned theater, 1692 01:28:25,072 --> 01:28:26,339 "for God knows how long, 1693 01:28:26,439 --> 01:28:28,475 "to see some little play I've never heard of?" 1694 01:28:28,576 --> 01:28:30,111 But it's our anniversary. 1695 01:28:30,211 --> 01:28:31,311 And now I'm thinking all this shit, 1696 01:28:31,411 --> 01:28:33,581 so that's how I know it's an interesting play. 1697 01:28:54,769 --> 01:28:55,870 Whoa! 1698 01:28:56,604 --> 01:28:57,839 [CUP CLANKS ON TABLE] 1699 01:28:59,240 --> 01:29:00,575 -Goddammit. -[COFFEE DRIPPING] 1700 01:29:03,211 --> 01:29:04,411 [SIGHS] 1701 01:29:09,482 --> 01:29:10,685 Bloody hell. 1702 01:29:12,053 --> 01:29:14,722 Bollocks. Bollocks. 1703 01:29:17,390 --> 01:29:19,026 Fuck. 1704 01:29:19,126 --> 01:29:20,561 Look, you said it yourself. 1705 01:29:20,661 --> 01:29:22,830 How can he become you? You're nothing alike. 1706 01:29:22,930 --> 01:29:25,432 It's not believable, and it's not necessary. 1707 01:29:25,533 --> 01:29:27,467 She loves him for who he is. 1708 01:29:27,568 --> 01:29:28,803 It was contrived. 1709 01:29:28,903 --> 01:29:31,739 I still think the idea is theoretically sound. 1710 01:29:31,839 --> 01:29:33,473 Though, what we didn't count on, 1711 01:29:33,574 --> 01:29:35,877 and this might just stem from me being a novice, 1712 01:29:35,977 --> 01:29:38,880 is that the audience has just spent two hours, 1713 01:29:38,980 --> 01:29:40,214 rooting for Edward. 1714 01:29:40,314 --> 01:29:43,618 Which, in this particular iteration, is me. 1715 01:29:43,718 --> 01:29:45,418 If someone else then walks out and goes, 1716 01:29:45,519 --> 01:29:46,787 "Oh, I'm Edward now," 1717 01:29:46,888 --> 01:29:49,824 even if it's Sir Kenneth Branagh, or whomever, 1718 01:29:49,924 --> 01:29:51,626 the audience will feel cheated. 1719 01:29:51,726 --> 01:29:53,426 We've broken our pact with them. 1720 01:29:53,527 --> 01:29:54,528 They'll rightly rebel. 1721 01:29:54,629 --> 01:29:56,496 Look, I still wanna be friends, 1722 01:29:56,597 --> 01:29:58,633 and I'll keep you in mind for future projects. 1723 01:30:01,869 --> 01:30:03,104 The mask is mine. 1724 01:30:04,138 --> 01:30:05,172 I'm keeping it. 1725 01:30:06,340 --> 01:30:08,175 OSWALD: I've always liked that mask. 1726 01:30:08,276 --> 01:30:09,510 Brilliant mask. 1727 01:30:11,712 --> 01:30:13,347 [DRAMATIC MUSIC PLAYING] 1728 01:30:13,446 --> 01:30:14,749 OSWALD: You know what I think? 1729 01:30:14,849 --> 01:30:16,449 I think Les Mis is a masterpiece. 1730 01:30:16,550 --> 01:30:17,685 [CHATTERING INDISTINCTLY] 1731 01:30:17,785 --> 01:30:20,688 Uh, The Book of Mormon is hysterically funny. 1732 01:30:20,788 --> 01:30:23,524 -[SPEAKING INDISTINCTLY] -[INGRID CHUCKLES] 1733 01:30:23,624 --> 01:30:25,559 INGRID: What are you... Do you have any plans for... 1734 01:30:47,848 --> 01:30:49,750 [BANGING] 1735 01:30:50,718 --> 01:30:51,919 Where's the blind guy? 1736 01:30:52,019 --> 01:30:52,987 What are you doing here? 1737 01:30:53,087 --> 01:30:55,623 -Why are you so upset? -Why are you here? 1738 01:30:56,290 --> 01:30:57,525 Why was Oswald here? 1739 01:30:57,625 --> 01:30:58,826 How... How'd you... 1740 01:30:58,926 --> 01:31:00,261 What business is that of yours? 1741 01:31:00,361 --> 01:31:02,196 I know because I know. 1742 01:31:02,296 --> 01:31:04,298 I was passing by and... 1743 01:31:04,398 --> 01:31:05,633 I don't have to explain myself to you. 1744 01:31:05,733 --> 01:31:08,202 What do you know about him? Hmm? Who is he? 1745 01:31:08,302 --> 01:31:09,837 Is his name even Oswald? 1746 01:31:09,937 --> 01:31:11,138 'Cause let me tell you something, 1747 01:31:11,238 --> 01:31:12,506 he's got a kid and a girl. 1748 01:31:12,606 --> 01:31:14,241 He was kissing this other girl, 1749 01:31:14,342 --> 01:31:15,676 and they were walking in the park. 1750 01:31:15,776 --> 01:31:17,878 He's leading a double life. What do you think of that? 1751 01:31:17,979 --> 01:31:20,081 Well, first of all, that's Jolie, 1752 01:31:20,181 --> 01:31:23,451 Oswald's ex-wife and mother to his daughter, Kelly. 1753 01:31:23,551 --> 01:31:25,353 And they're still really good friends. 1754 01:31:25,453 --> 01:31:26,687 And as it happens, 1755 01:31:26,787 --> 01:31:28,122 Oswald is moving in there. 1756 01:31:28,222 --> 01:31:30,558 Mr. Sablosky had an accident, and Oswald's been needing 1757 01:31:30,658 --> 01:31:31,993 a place to stay. I don't even know why 1758 01:31:32,093 --> 01:31:33,661 I'm bothering to explain this to you. 1759 01:31:33,761 --> 01:31:35,896 We don't have anything more to say to each other. 1760 01:31:36,364 --> 01:31:37,631 I'm sorry. 1761 01:31:49,410 --> 01:31:51,579 [SIRENS WAILING IN DISTANCE] 1762 01:32:31,218 --> 01:32:33,120 [THUDDING] 1763 01:32:40,628 --> 01:32:41,962 What the fuck are you doing? 1764 01:32:46,767 --> 01:32:48,803 You gotta get the fuck outta here, man. 1765 01:33:07,121 --> 01:33:10,758 [MIMICKING OSWALD] Oh, well, I happen to be Edward now. 1766 01:33:10,858 --> 01:33:14,095 And this here is Guy. 1767 01:33:14,495 --> 01:33:16,097 Guy... 1768 01:33:16,197 --> 01:33:18,099 he's a masterful actor. 1769 01:33:18,199 --> 01:33:20,000 Thank you man! Yes. 1770 01:33:20,734 --> 01:33:22,169 Yes, you are... 1771 01:33:26,073 --> 01:33:28,375 Kenneth Branagh. 1772 01:33:28,476 --> 01:33:30,444 Come on. Come along, now. 1773 01:33:30,545 --> 01:33:32,446 Chop, chop. Chop, chop, shake a leg. 1774 01:33:32,547 --> 01:33:33,714 Shake a leg. 1775 01:33:34,482 --> 01:33:35,584 What do you think? 1776 01:33:35,683 --> 01:33:38,085 [VOCALIZING] Hoo! 1777 01:33:38,185 --> 01:33:39,687 Is it smashing? 1778 01:33:40,354 --> 01:33:42,156 Or is it smashing? 1779 01:33:42,256 --> 01:33:45,092 Do you like this room, little girl? 1780 01:33:45,192 --> 01:33:49,029 I know it's quite small and petite like you. 1781 01:33:49,130 --> 01:33:52,199 It's a room where you can do anything you want. 1782 01:33:53,367 --> 01:33:54,802 You know that right? 1783 01:33:54,902 --> 01:33:58,172 Do you know Peppa Pig? Hmm? 1784 01:33:58,272 --> 01:34:01,075 Aw, she's a little nervous. She's shy. 1785 01:34:01,175 --> 01:34:03,677 [LAUGHING] 1786 01:34:03,777 --> 01:34:05,779 ♪ Don't cry, don't sigh ♪ 1787 01:34:05,880 --> 01:34:09,116 ♪ There's a silver lining In the sky ♪ 1788 01:34:09,216 --> 01:34:12,186 [SIGHS] Naturally, it's a bit disappointing, 1789 01:34:12,286 --> 01:34:16,525 but I really do hope we can all remain friendly. 1790 01:34:16,625 --> 01:34:19,160 I harbor no ill feelings. 1791 01:34:19,260 --> 01:34:24,398 Let us keep our hatreds for the common enemy. 1792 01:34:24,498 --> 01:34:26,267 [OBJECTS CLATTERING] 1793 01:34:26,667 --> 01:34:27,868 Cheers! 1794 01:34:28,603 --> 01:34:29,837 Thank you. 1795 01:34:29,937 --> 01:34:31,071 -Can you... -EDWARD: Much obliged! 1796 01:34:31,172 --> 01:34:33,841 -MARIANA: Okay. -Jesus. Unplug it. 1797 01:34:34,408 --> 01:34:35,409 [EDWARD GRUNTS] 1798 01:34:37,211 --> 01:34:38,547 Righty then. 1799 01:34:38,647 --> 01:34:41,482 Fear, is a reaction. 1800 01:34:41,583 --> 01:34:44,251 Courage, is a decision. 1801 01:34:44,885 --> 01:34:46,887 I'll miss you most all, darling. 1802 01:34:48,255 --> 01:34:52,561 -CLAY: What the fuck? -Ta-ta, for now! 1803 01:34:52,661 --> 01:34:54,161 FIONA: Maybe we'll ride to glory together. 1804 01:34:54,261 --> 01:34:55,429 OSWALD: Whatever you say, my darling. 1805 01:34:55,530 --> 01:34:56,764 EDWARD: Excuse me, old chap. 1806 01:34:56,864 --> 01:34:58,866 I think you're kissing my girl! 1807 01:34:58,966 --> 01:35:00,134 Ah, it appears my understudy, 1808 01:35:00,234 --> 01:35:01,202 has had a bit too much to drink. 1809 01:35:01,302 --> 01:35:02,604 EDWARD: Understudy? No, no, no, no. 1810 01:35:02,703 --> 01:35:03,704 Maybe we could talk about this after the... 1811 01:35:03,804 --> 01:35:04,905 No, no, no. No, understudy. 1812 01:35:05,005 --> 01:35:06,040 -After the performance. -EDWARD: I'm Edward! 1813 01:35:06,140 --> 01:35:07,341 OSWALD: You... EDWARD: You're not Edward. 1814 01:35:07,441 --> 01:35:08,809 OSWALD: Okay, you're Edward. EDWARD: No, no, no. 1815 01:35:08,909 --> 01:35:10,010 OSWALD: You're Edward. EDWARD: This is my red door. 1816 01:35:10,110 --> 01:35:11,078 -This is my couch. -OSWALD: You're Edward. 1817 01:35:11,178 --> 01:35:12,980 EDWARD: These are my lines! Come here! 1818 01:35:13,080 --> 01:35:14,583 -You stole my life! -[PEOPLE EXCLAIMING] 1819 01:35:14,683 --> 01:35:15,883 EDWARD: Get off me! 1820 01:35:15,983 --> 01:35:16,917 -He's got everything! -OSWALD: What the hell, Guy! 1821 01:35:17,017 --> 01:35:18,152 -EDWARD: No! I'm Edward! -Calm down, 1822 01:35:18,252 --> 01:35:19,720 -and we can talk about this. -EDWARD: I'm Edward. 1823 01:35:19,820 --> 01:35:21,388 Okay, okay. 1824 01:35:21,488 --> 01:35:22,923 Okay, let go! Let go! 1825 01:35:23,023 --> 01:35:24,858 I'm gonna leave. I'm gonna leave. 1826 01:35:24,959 --> 01:35:26,293 [BREATHING HEAVILY] 1827 01:35:26,393 --> 01:35:30,064 OSWALD: Everything's fine. If you sit down, we can talk. 1828 01:35:30,164 --> 01:35:30,931 EDWARD: No! 1829 01:35:31,031 --> 01:35:32,933 -[GRUNTING] -[PEOPLE EXCLAIMING] 1830 01:35:33,767 --> 01:35:34,835 EDWARD: Take yours off! 1831 01:35:34,935 --> 01:35:36,904 -Take yours off! -Take what off? 1832 01:35:37,004 --> 01:35:38,573 -Take yours off! -Take what off? 1833 01:35:38,673 --> 01:35:40,474 -[EDWARD GRUNTING] -[OBJECTS CLATTERING] 1834 01:35:41,275 --> 01:35:42,042 Get over here! 1835 01:35:42,142 --> 01:35:44,178 -[GRUNTING] Ahhh! -[THUDS] 1836 01:35:48,115 --> 01:35:49,149 [GROANS] 1837 01:35:50,619 --> 01:35:52,152 [SET PIECE SQUEAKING] 1838 01:35:54,556 --> 01:35:55,489 OSWALD: Guy. 1839 01:35:55,590 --> 01:35:57,692 [CEILING CREAKING] 1840 01:35:57,791 --> 01:35:58,926 -[CEILING CLANKS] -[EDWARD YELPS] 1841 01:35:59,026 --> 01:36:00,194 -[CROWD GASPING AND SHOUTING] -OSWALD: No! 1842 01:36:00,294 --> 01:36:01,362 -Oh my God. Guy! -[INGRID GASPS] 1843 01:36:01,462 --> 01:36:03,130 Oh, no. What have I done? What have I done? 1844 01:36:03,230 --> 01:36:05,567 -[CRASHING] -[PEOPLE SHOUTING] 1845 01:36:05,667 --> 01:36:07,501 No! Guy! No, Guy! 1846 01:36:07,602 --> 01:36:09,403 [CRYING] What have I done? 1847 01:36:09,503 --> 01:36:11,338 I don't know my own strength. 1848 01:36:11,438 --> 01:36:13,708 Guy! Guy. 1849 01:36:13,807 --> 01:36:14,908 [PLATES CLATTERING] 1850 01:36:15,009 --> 01:36:16,544 ACTOR: I know I keep saying it, man, 1851 01:36:16,645 --> 01:36:17,646 but it is such an honor. 1852 01:36:17,746 --> 01:36:19,648 OSWALD: Oh, truly, the honor is all ours. 1853 01:36:19,748 --> 01:36:20,814 INGRID: We couldn't be more excited. 1854 01:36:20,914 --> 01:36:21,915 ACTOR: I mean, frankly, I think 1855 01:36:22,016 --> 01:36:23,284 -you should be playing it. -OSWALD: Oh, no. 1856 01:36:23,384 --> 01:36:25,019 -I wouldn't dream of it. -ACTOR: No, honestly, I think 1857 01:36:25,119 --> 01:36:26,487 you got something special. 1858 01:36:27,254 --> 01:36:28,389 Real charisma. 1859 01:36:29,658 --> 01:36:30,924 I mean, it takes a name 1860 01:36:31,025 --> 01:36:32,826 to get these things funded, as you know. 1861 01:36:32,926 --> 01:36:35,095 But I want you to know, 1862 01:36:35,195 --> 01:36:37,298 it's important to me to get it right. 1863 01:36:37,398 --> 01:36:40,301 And that's why I wanted to spend some time with you, 1864 01:36:40,401 --> 01:36:42,002 and, you know, uh, 1865 01:36:42,102 --> 01:36:45,839 not study really, but observe, ask questions. 1866 01:36:45,939 --> 01:36:47,141 Ah, research, 1867 01:36:47,241 --> 01:36:48,409 -as they say in the biz. -ACTOR: Mmm-hmm. 1868 01:36:48,510 --> 01:36:49,977 OSWALD: Well, I think it's important for you 1869 01:36:50,077 --> 01:36:51,912 to interpret this as you want. 1870 01:36:52,012 --> 01:36:53,213 ACTOR: Right. OSWALD: I mean, Edward was 1871 01:36:53,314 --> 01:36:55,750 envisioned by Ingrid, and what I was doing earlier, 1872 01:36:55,849 --> 01:36:57,885 Guy here completely pioneered. 1873 01:36:57,985 --> 01:37:00,588 ACTOR: Right on. OSWALD: I'm interpreting Guy, 1874 01:37:00,689 --> 01:37:01,822 interpreting Ingrid. 1875 01:37:01,922 --> 01:37:03,957 And you're just the next and final step 1876 01:37:04,058 --> 01:37:05,993 in the evolutionary process. 1877 01:37:06,093 --> 01:37:07,094 ACTOR: Yeah, that's really cool. 1878 01:37:07,194 --> 01:37:09,430 I'd love to ask you some questions, too. 1879 01:37:11,432 --> 01:37:14,268 Really cool. Kind of a collaborative thing. 1880 01:37:15,770 --> 01:37:17,905 Will they be using some... Some mask 1881 01:37:18,005 --> 01:37:20,941 -or makeup of some sort? -Why? 1882 01:37:21,442 --> 01:37:23,210 [ALL LAUGHING] 1883 01:37:23,310 --> 01:37:24,746 Uh, I don't know. 1884 01:37:24,845 --> 01:37:26,847 It's beyond my pay grade. 1885 01:37:26,947 --> 01:37:29,049 I'm... I'm not really part of those discussions. 1886 01:37:29,149 --> 01:37:31,352 They can do a lot these days to make it look real. 1887 01:37:32,286 --> 01:37:33,287 Pretty real. 1888 01:37:34,388 --> 01:37:37,925 But, you know, I don't worry about that stuff. 1889 01:37:38,025 --> 01:37:41,929 I think as long as I do my job getting Edward right, 1890 01:37:42,630 --> 01:37:44,298 it'll come through. 1891 01:37:44,398 --> 01:37:47,334 -The rest is just icing. -OSWALD: Very true. 1892 01:37:47,434 --> 01:37:48,636 ACTOR: Cheers. Mmm. 1893 01:37:48,737 --> 01:37:50,037 INGRID: Cheers. ACTOR: Hmm. 1894 01:37:54,475 --> 01:37:56,477 [PLAYING SAXOPHONE] 1895 01:38:03,183 --> 01:38:05,386 -[NICK AND OSWALD GRUNTING] -[CROWD CHEERING ON VIDEO GAME] 1896 01:38:05,486 --> 01:38:06,920 [KELLY MUMBLING] 1897 01:38:07,020 --> 01:38:08,889 NICK: It's not working. 1898 01:38:08,989 --> 01:38:10,625 -[CHEERING CONTINUES] -[BELL RINGING] 1899 01:38:10,725 --> 01:38:12,092 [NICK SIGHS AND EXHALES] 1900 01:38:12,192 --> 01:38:13,894 -OSWALD: Whoo! -Fuck! 1901 01:38:14,629 --> 01:38:16,029 -Fuck. -Number one. 1902 01:38:16,130 --> 01:38:17,699 NICK: That's a cool typewriter. 1903 01:38:17,799 --> 01:38:19,066 OSWALD: You can have it. 1904 01:38:20,367 --> 01:38:22,537 MAN ON TV: I wish I had a woman, too, 1905 01:38:22,637 --> 01:38:24,304 walking with me under the moon 1906 01:38:24,405 --> 01:38:27,374 and holding my arm and smiling, 1907 01:38:28,777 --> 01:38:31,979 and then I dream and I forget. 1908 01:38:35,315 --> 01:38:38,853 And then I see the shadow of my profile on the wall. 1909 01:38:39,554 --> 01:38:40,755 ["JINGLE BELLS" PLAYING OVER SPEAKERS] 1910 01:38:40,855 --> 01:38:42,222 MAN: There you go. Step in. 1911 01:38:42,322 --> 01:38:43,957 Good man. 1912 01:38:44,057 --> 01:38:45,860 Other foot. Perfect. 1913 01:38:45,959 --> 01:38:48,663 All right. Nice and easy, here we go. 1914 01:38:48,763 --> 01:38:51,064 One foot after the other. 1915 01:38:51,165 --> 01:38:54,001 -Perfect. Rock on. -Gonna go shopping. 1916 01:38:54,101 --> 01:38:56,203 -Anyone need anything? -Uh, no, thanks. 1917 01:38:56,303 --> 01:38:57,739 I'm heading out. You guys need anything? 1918 01:38:57,839 --> 01:38:59,406 -I just asked. -[OSWALD CHUCKLING] 1919 01:38:59,507 --> 01:39:01,709 Well, if something changes, give me a call. 1920 01:39:01,810 --> 01:39:02,943 I'm gonna get out your hair. 1921 01:39:03,043 --> 01:39:04,311 -I'll walk you out. -I'll be back around 8:00. 1922 01:39:04,411 --> 01:39:05,412 Toodle-oo. 1923 01:39:06,648 --> 01:39:07,615 [DOOR OPENS] 1924 01:39:09,283 --> 01:39:10,984 -[DOOR CLOSES] -What the fuck is 1925 01:39:11,084 --> 01:39:12,720 going on in here? 1926 01:39:12,821 --> 01:39:14,154 What's going on with his face? 1927 01:39:14,254 --> 01:39:16,390 Fuck, I mean, is he rich or something? 1928 01:39:16,490 --> 01:39:17,458 [CHUCKLES] 1929 01:39:17,559 --> 01:39:18,560 Like, what does she... 1930 01:39:18,660 --> 01:39:20,060 Is she... 1931 01:39:20,160 --> 01:39:22,296 [CHUCKLES] That's the craziest shit I ever saw. 1932 01:39:23,464 --> 01:39:25,600 Forgot my headphones. Sorry, sorry. 1933 01:39:26,967 --> 01:39:28,435 You guys carry right on. 1934 01:39:29,169 --> 01:39:30,370 No problem, boss. 1935 01:39:31,873 --> 01:39:32,841 You know, let's pause for a second, 1936 01:39:32,941 --> 01:39:34,174 I gotta take a leak. 1937 01:39:34,274 --> 01:39:36,276 Keep going. Just put one foot in front of the other. 1938 01:39:41,749 --> 01:39:46,588 ♪ A day or two ago I thought I'd take a ride 1939 01:39:46,688 --> 01:39:51,325 ♪ And soon Miss Fanny Bright was seated by my side 1940 01:39:51,425 --> 01:39:53,728 ♪ The horse was lean and lank... ♪ 1941 01:39:53,828 --> 01:39:55,964 [TOILET FLUSHING] 1942 01:39:56,965 --> 01:39:58,232 [DOOR OPENS] 1943 01:39:58,332 --> 01:40:00,835 ♪ And we, we got upsot 1944 01:40:00,935 --> 01:40:06,006 ♪ Jingle bells, jingle bells jingle all the way ♪ 1945 01:40:06,106 --> 01:40:07,976 ♪ Oh, what fun it is to ride... ♪ 1946 01:40:08,075 --> 01:40:09,042 Hey, man, do you mind if I grab 1947 01:40:09,142 --> 01:40:10,310 one of these seltzers? 1948 01:40:14,983 --> 01:40:16,250 [MAN GROANS] 1949 01:40:17,819 --> 01:40:19,787 [BOTH GRUNTING] 1950 01:40:21,589 --> 01:40:22,590 [OBJECTS CLATTERING] 1951 01:40:32,700 --> 01:40:34,702 [BOTH GRUNTING] 1952 01:40:39,741 --> 01:40:41,676 [MAN COUGHS AND GAGS] 1953 01:40:42,442 --> 01:40:43,578 [CHOKING] 1954 01:40:44,779 --> 01:40:46,514 ♪ Oh, what fun it is to ride 1955 01:40:46,614 --> 01:40:49,216 ♪ In a one-horse open sleigh, hey 1956 01:40:49,316 --> 01:40:51,786 ♪ Jingle bells, jingle bells 1957 01:40:51,886 --> 01:40:53,655 ♪ Jingle all the way 1958 01:40:53,755 --> 01:40:57,357 ♪ Oh, what fun it is to ride In a one-horse open sleigh ♪ 1959 01:40:57,457 --> 01:40:58,458 [COUGHING] 1960 01:41:00,294 --> 01:41:02,229 -[SONG ENDS] -[MAN STOPS COUGHING] 1961 01:41:09,202 --> 01:41:11,371 [DRAMATIC MUSIC PLAYING] 1962 01:41:16,010 --> 01:41:17,377 I heard noises. 1963 01:41:19,814 --> 01:41:21,816 [DRAMATIC MUSIC CONTINUES] 1964 01:41:29,624 --> 01:41:31,059 [INMATES CHATTERING INDISTINCTLY] 1965 01:41:31,158 --> 01:41:32,392 [BASKETBALL THUDDING ON GROUND] 1966 01:41:32,492 --> 01:41:33,995 INMATE: Next shot, I got you. 1967 01:41:34,094 --> 01:41:36,163 [INDISTINCT CHATTERING CONTINUES] 1968 01:41:36,263 --> 01:41:37,665 -[BALL THUDS] -INMATE: Oh! 1969 01:41:43,671 --> 01:41:45,673 [MUSIC FADES OUT] 1970 01:41:51,813 --> 01:41:53,781 [CAR HONKING] 1971 01:41:56,084 --> 01:41:57,919 Hey man, nice shoes. 1972 01:41:58,019 --> 01:42:01,689 Where's Fort Lee, man? New Jersey. 1973 01:42:03,123 --> 01:42:04,525 Where's your manners? 1974 01:42:05,760 --> 01:42:08,328 Man, you must have had some ugly parents. 1975 01:42:08,428 --> 01:42:10,197 I hope you die of cancer, 1976 01:42:10,297 --> 01:42:12,466 and your ugly children die of cancer. 1977 01:42:12,567 --> 01:42:16,503 And your whole ugly bloodline of, uh, 1978 01:42:16,604 --> 01:42:20,273 ugly degenerates wiped off the face 1979 01:42:20,374 --> 01:42:22,309 of God's beautiful earth. 1980 01:42:23,845 --> 01:42:25,178 Nice shoes, man. 1981 01:42:26,080 --> 01:42:27,247 Nice shoes. 1982 01:42:36,423 --> 01:42:37,892 OSWALD: Do I believe my eyes? 1983 01:42:45,232 --> 01:42:47,401 Yeah, we adopted Lucy, her... Her daughter. 1984 01:42:47,501 --> 01:42:49,971 And, uh, it's crazy to even say it. 1985 01:42:50,071 --> 01:42:51,471 She's in grad school now. 1986 01:42:51,873 --> 01:42:52,740 She is. 1987 01:42:52,840 --> 01:42:54,709 Oh, you have to come and see the play, Guy. 1988 01:42:54,809 --> 01:42:56,410 -Don't pressure him. -He wants to come. 1989 01:42:56,511 --> 01:42:58,345 -Right, Guy? -Oh, yeah, of course. 1990 01:42:58,445 --> 01:43:00,048 When... When are you free? Tonight? 1991 01:43:00,148 --> 01:43:02,249 -When... What time? -8:00 p.m., sharp. 1992 01:43:02,349 --> 01:43:04,986 -All right. -You can sit with me. 1993 01:43:05,086 --> 01:43:07,588 -You're not in it? -[CHUCKLES] No. 1994 01:43:07,689 --> 01:43:10,858 No, I'm no actor. I mean, sure, Edward. 1995 01:43:10,958 --> 01:43:12,627 But that whole thing was... 1996 01:43:12,727 --> 01:43:14,829 What a piece of shit. I don't even allow people 1997 01:43:14,929 --> 01:43:16,363 to perform that anymore. 1998 01:43:16,463 --> 01:43:18,633 OSWALD: No, no, no. It was your precocious early work, 1999 01:43:18,733 --> 01:43:21,703 and it brought us together, so it served that noble cause. 2000 01:43:21,803 --> 01:43:23,571 INGRID: Thank God, they didn't make that movie. 2001 01:43:23,671 --> 01:43:25,173 OSWALD: Oh, I was so disappointed. 2002 01:43:25,272 --> 01:43:27,909 I really wanted to see that guy try and play me. 2003 01:43:28,009 --> 01:43:30,645 But anyway, it's brilliant we bumped into you, 2004 01:43:30,745 --> 01:43:32,847 'cause we're actually moving away next month 2005 01:43:32,947 --> 01:43:34,148 when the play wraps. 2006 01:43:34,247 --> 01:43:35,415 Where? Where are you going? 2007 01:43:35,516 --> 01:43:37,250 To Canada. A place called Shepperton. 2008 01:43:37,350 --> 01:43:38,753 Have you heard of it? 2009 01:43:38,853 --> 01:43:42,355 It could be described as a nudist colony. 2010 01:43:42,456 --> 01:43:44,291 Yeah. It's only a part of it. Small part of it. 2011 01:43:44,391 --> 01:43:45,425 But yeah, basically we'll be... 2012 01:43:45,526 --> 01:43:47,294 OSWALD: As God intended. 2013 01:43:47,729 --> 01:43:48,563 Why? 2014 01:43:48,663 --> 01:43:51,032 Well, it's a long story. We met this woman 2015 01:43:51,132 --> 01:43:52,399 -when we were... -Going through the Andes. 2016 01:43:52,499 --> 01:43:55,268 Yeah. And it turns out she's this incredible person 2017 01:43:55,368 --> 01:43:57,404 with followers and all that. 2018 01:43:57,504 --> 01:43:59,674 And it's kind of this ecological philosophy. 2019 01:43:59,774 --> 01:44:02,210 Mmm-hmm. And... And... And free love. 2020 01:44:02,309 --> 01:44:04,045 -Yes, but also it's... -And LSD. 2021 01:44:04,145 --> 01:44:07,515 -Sometimes, yeah, but it's... -Yep. Have you done LSD, Guy? 2022 01:44:08,116 --> 01:44:10,250 Wha... What about like bad trips? 2023 01:44:10,350 --> 01:44:11,485 OSWALD: Yeah, it's possible. 2024 01:44:11,586 --> 01:44:14,222 But it's all really down to how you frame it, Guy. 2025 01:44:14,321 --> 01:44:15,690 [CHUCKLES] I don't think he could handle it. 2026 01:44:15,790 --> 01:44:18,626 Yeah. He just needs someone to lead him through it is all. 2027 01:44:18,726 --> 01:44:21,529 -Which I can do. -INGRID: Recently certified. 2028 01:44:22,864 --> 01:44:23,631 And what about your kids? 2029 01:44:23,731 --> 01:44:24,899 OSWALD: No. INGRID: Yeah, no. 2030 01:44:24,999 --> 01:44:25,800 They say it's a cult. 2031 01:44:25,900 --> 01:44:27,034 OSWALD: Yeah. I mean, you probably think 2032 01:44:27,135 --> 01:44:28,069 it's a cult, too, right? 2033 01:44:28,169 --> 01:44:29,237 EDWARD: Well, I... I guess it sounds 2034 01:44:29,336 --> 01:44:31,239 -a little like a cult. -I mean, yeah, sure, 2035 01:44:31,338 --> 01:44:33,141 if you paint it in like broad brush strokes. 2036 01:44:33,241 --> 01:44:35,442 But it's... It's really quite leaderless. 2037 01:44:35,543 --> 01:44:37,344 But what about this, uh, Andes woman, 2038 01:44:37,444 --> 01:44:39,312 -isn't she like the leader? -Founder. 2039 01:44:39,412 --> 01:44:41,149 Yes, she set it all in motion. 2040 01:44:41,249 --> 01:44:42,517 But it's... It's... 2041 01:44:42,617 --> 01:44:45,586 She's not a guru in the... Well, she's sort of a guru. 2042 01:44:45,686 --> 01:44:47,487 Yes. She's a guru in the pure sense. 2043 01:44:47,588 --> 01:44:49,489 Yeah, see we can't talk about it without sounding... 2044 01:44:49,590 --> 01:44:50,758 Absolutely bonkers. 2045 01:44:50,858 --> 01:44:52,492 -EDWARD: Mmm. -Yeah. But honestly, 2046 01:44:52,593 --> 01:44:54,829 It's... It's... It's paradise. 2047 01:44:55,830 --> 01:44:56,631 Actual paradise. 2048 01:44:56,731 --> 01:44:58,099 -Like utopia. -Yeah, utopia. 2049 01:44:58,199 --> 01:44:59,399 -Closest thing to it. -Yeah. 2050 01:44:59,499 --> 01:45:01,468 EDWARD: And what about your career? 2051 01:45:01,569 --> 01:45:03,738 Well, I've accomplished everything I've ever wanted... 2052 01:45:03,838 --> 01:45:05,573 I'm... I'm ready for the next phase. 2053 01:45:05,673 --> 01:45:06,707 I mean, all she wants to do now, 2054 01:45:06,808 --> 01:45:08,543 is take LSD and fuck all the time. 2055 01:45:08,643 --> 01:45:09,811 -I mean, you know... -[EDWARD CHUCKLES] 2056 01:45:09,911 --> 01:45:12,079 OSWALD: Enough about us, what's going on with you? 2057 01:45:12,180 --> 01:45:13,346 -Tell us everything. -Yeah. 2058 01:45:13,446 --> 01:45:16,584 Well, I mean. [EXHALES] I don't know. Um... 2059 01:45:16,684 --> 01:45:19,787 Do we know what we would like tonight? 2060 01:45:19,887 --> 01:45:20,621 [INGRID CLEARS THROAT] 2061 01:45:20,721 --> 01:45:22,023 What are you thinking, Edward? 2062 01:45:22,123 --> 01:45:26,694 Uh, you... You go ahead. I'm... I'm still, um... 2063 01:45:26,794 --> 01:45:28,529 Okay. Well, we're celebrating, 2064 01:45:28,629 --> 01:45:30,631 so we're gonna need some more sake. 2065 01:45:30,731 --> 01:45:33,400 Let's do another bottle of the Dassai Hayata. 2066 01:45:33,500 --> 01:45:36,003 And for the table, the wakame, 2067 01:45:36,103 --> 01:45:37,839 the agedashi tofu, 2068 01:45:37,939 --> 01:45:40,308 and he needs to try the uni toast. 2069 01:45:40,407 --> 01:45:42,510 And an order of the hamachi kama, why not. 2070 01:45:43,044 --> 01:45:44,712 And for my entree, 2071 01:45:44,812 --> 01:45:46,479 let's go with the wagyu flight. 2072 01:45:46,581 --> 01:45:49,116 INGRID: A miso black cod for me, please. Thank you. 2073 01:45:49,217 --> 01:45:50,450 SERVER: And for you sir? 2074 01:45:52,687 --> 01:45:53,754 Um... 2075 01:45:55,056 --> 01:45:56,356 Uh... 2076 01:45:57,490 --> 01:45:58,826 SERVER: Do you need a minute? 2077 01:45:59,794 --> 01:46:01,996 -Yeah. I, uh... -[OSWALD CHUCKLING] 2078 01:46:03,331 --> 01:46:05,233 Oh, my old friend. 2079 01:46:05,733 --> 01:46:08,603 You haven't changed a bit. 2080 01:46:09,103 --> 01:46:11,105 [OSWALD AND EDWARD LAUGHING] 2081 01:46:16,210 --> 01:46:18,378 [DRAMATIC MUSIC PLAYING] 2082 01:48:45,593 --> 01:48:47,795 [DRAMATIC MUSIC CONTINUES] 2083 01:51:38,533 --> 01:51:40,701 [MUSIC FADES OUT]